In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenu fourni par Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Rebel Moon
Manage episode 391081716 series 3255221
Contenu fourni par Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Rebel Moon is the worst film of Zack Snyder’s career, and that’s saying something.
We talk about the director’s uninspired homage to the works of Akira Kurosawa and George Lucas, his unusually bland visuals, and the film’s wooden writing.
We also wonder why the project looks so cheap, seeing as it comes from a streamer that is often willing to invest $200 million on less-deserving movies, and why Snyder has cast seemingly his second and third choices for most roles.
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Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.
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Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.
--- Support this podcast: https://podcasters.spotify.com/pod/show/the-long-take/support204 episodes
Partager
Manage episode 391081716 series 3255221
Contenu fourni par Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Rebel Moon is the worst film of Zack Snyder’s career, and that’s saying something.
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Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.
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Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.
--- Support this podcast: https://podcasters.spotify.com/pod/show/the-long-take/support204 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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