In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenu fourni par Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Priscilla
Manage episode 389843534 series 3255221
Contenu fourni par Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Sofia Coppola’s Priscilla is the antithesis of Baz Luhrmann’s terrible Elvis movie.
We discuss Coppola’s sad-core storytelling, her determination never to leave Priscilla’s side, and her absolutely damning portrayal of the King of Rock and Roll.
We also talk about Cailee Spaeny’s central performance as Priscilla, Jacob Elordi’s menacing turn as Elvis, and the movie’s delicate handling of their very complex relationship.
But we also wonder if Coppola’s emotionally distant direction might have made the stirring true-life story a little unaffecting.
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Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.
The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, Google Podcasts, and wherever you get your podcasts.
Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.
--- Support this podcast: https://podcasters.spotify.com/pod/show/the-long-take/support204 episodes
Partager
Manage episode 389843534 series 3255221
Contenu fourni par Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Sofia Coppola’s Priscilla is the antithesis of Baz Luhrmann’s terrible Elvis movie.
We discuss Coppola’s sad-core storytelling, her determination never to leave Priscilla’s side, and her absolutely damning portrayal of the King of Rock and Roll.
We also talk about Cailee Spaeny’s central performance as Priscilla, Jacob Elordi’s menacing turn as Elvis, and the movie’s delicate handling of their very complex relationship.
But we also wonder if Coppola’s emotionally distant direction might have made the stirring true-life story a little unaffecting.
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Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.
The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, Google Podcasts, and wherever you get your podcasts.
Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.
--- Support this podcast: https://podcasters.spotify.com/pod/show/the-long-take/support204 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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