Tangentially Speaking is dedicated to the idea that good conversation is organic, uncensored, revelatory, and free to go down unexpected paths with unconventional people. chrisryan.substack.com
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Contenu fourni par Cities and Memory - remixing the world and Cities and Memory. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Cities and Memory - remixing the world and Cities and Memory ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Upon the slowest night
MP3•Maison d'episode
Manage episode 433964254 series 1127440
Contenu fourni par Cities and Memory - remixing the world and Cities and Memory. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Cities and Memory - remixing the world and Cities and Memory ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
The sounds of an open fire cooking food are very gradually transformed into a sweeping ambient soundscape in this composition, representing the slow speed at which a few scraps of kindling and some logs becomes a open camp fire. The slow transformation of matter into flames and ash.
Every sound in the composition apart from the guitars is derived from the original field recording, as convolution reverbs, delays and resonators are gradually applied to the sound, causing it to evolve into an ambient sweep.
The title comes from Emily Dickinson's poem:
You cannot put a Fire out—
A Thing that can ignite
Can go, itself, without a Fan—
Upon the slowest Night—
You cannot fold a Flood—
And put it in a Drawer—
Because the Winds would find it out—
And tell your Cedar Floor—
Open fire cooking reimagined by Cities and Memory.
Every sound in the composition apart from the guitars is derived from the original field recording, as convolution reverbs, delays and resonators are gradually applied to the sound, causing it to evolve into an ambient sweep.
The title comes from Emily Dickinson's poem:
You cannot put a Fire out—
A Thing that can ignite
Can go, itself, without a Fan—
Upon the slowest Night—
You cannot fold a Flood—
And put it in a Drawer—
Because the Winds would find it out—
And tell your Cedar Floor—
Open fire cooking reimagined by Cities and Memory.
686 episodes
MP3•Maison d'episode
Manage episode 433964254 series 1127440
Contenu fourni par Cities and Memory - remixing the world and Cities and Memory. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Cities and Memory - remixing the world and Cities and Memory ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
The sounds of an open fire cooking food are very gradually transformed into a sweeping ambient soundscape in this composition, representing the slow speed at which a few scraps of kindling and some logs becomes a open camp fire. The slow transformation of matter into flames and ash.
Every sound in the composition apart from the guitars is derived from the original field recording, as convolution reverbs, delays and resonators are gradually applied to the sound, causing it to evolve into an ambient sweep.
The title comes from Emily Dickinson's poem:
You cannot put a Fire out—
A Thing that can ignite
Can go, itself, without a Fan—
Upon the slowest Night—
You cannot fold a Flood—
And put it in a Drawer—
Because the Winds would find it out—
And tell your Cedar Floor—
Open fire cooking reimagined by Cities and Memory.
Every sound in the composition apart from the guitars is derived from the original field recording, as convolution reverbs, delays and resonators are gradually applied to the sound, causing it to evolve into an ambient sweep.
The title comes from Emily Dickinson's poem:
You cannot put a Fire out—
A Thing that can ignite
Can go, itself, without a Fan—
Upon the slowest Night—
You cannot fold a Flood—
And put it in a Drawer—
Because the Winds would find it out—
And tell your Cedar Floor—
Open fire cooking reimagined by Cities and Memory.
686 episodes
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