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Contenu fourni par Zentrum Paul Klee. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Zentrum Paul Klee ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Paul Klee - Puppet on violet ribbons, 1906

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Contenu fourni par Zentrum Paul Klee. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Zentrum Paul Klee ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
The doll with purple ribbons appears strange. The androgynous mixed being seems to float in space as though directed by an invisible hand. For the first time in Klees work a humanlike figure is shown as a marionette, a motive which in his later work gained great importance. The doll behaves according to her own rules of play. Completely weightless she floats between the violet ribbons. The feet no longer function and since she no longer has any use for them, in their place two hands have grown. Glass painting was widely spread in central Europe from the sixteenth century; Votive paintings, biblical displays and peasant scenes were produced in their thousands as a winter occupation for large farming families and bought by peddlers. Klee bought several pictures at the Auer Dult market in Munich. Also Franz Marc and Wassily Kandinski were preoccupied with this technique, although unlike Klee not for the sculptural experimental characters, but more for the study of peasant traditions. From Klee there are 64 glass paintings known today. These actually pose a conservational challenge since their colour layers stick very badly to the smooth glass surface.
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36 episodes

Artwork
iconPartager
 

Fetch error

Hmmm there seems to be a problem fetching this series right now. Last successful fetch was on August 03, 2022 00:26 (2+ y ago)

What now? This series will be checked again in the next day. If you believe it should be working, please verify the publisher's feed link below is valid and includes actual episode links. You can contact support to request the feed be immediately fetched.

Manage episode 174693002 series 1200053
Contenu fourni par Zentrum Paul Klee. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Zentrum Paul Klee ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
The doll with purple ribbons appears strange. The androgynous mixed being seems to float in space as though directed by an invisible hand. For the first time in Klees work a humanlike figure is shown as a marionette, a motive which in his later work gained great importance. The doll behaves according to her own rules of play. Completely weightless she floats between the violet ribbons. The feet no longer function and since she no longer has any use for them, in their place two hands have grown. Glass painting was widely spread in central Europe from the sixteenth century; Votive paintings, biblical displays and peasant scenes were produced in their thousands as a winter occupation for large farming families and bought by peddlers. Klee bought several pictures at the Auer Dult market in Munich. Also Franz Marc and Wassily Kandinski were preoccupied with this technique, although unlike Klee not for the sculptural experimental characters, but more for the study of peasant traditions. From Klee there are 64 glass paintings known today. These actually pose a conservational challenge since their colour layers stick very badly to the smooth glass surface.
  continue reading

36 episodes

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