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19.29: A Close Reading on Character: Barriers vs. Stakes
Manage episode 430009794 series 3541959
Contenu fourni par Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler, Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler, Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Our episode today focuses on C.L. Clark’s short story “You Perfect Broken Thing” for how the character's stakes shape the barriers facing her. We use this story to examine how to tell the difference between barriers versus stakes. We also examine how to do this in a compressed space– whether that’s a short story, a single scene, or a compressed timeline.
Thing of the Week: We Have Always Lived in the Castle by Shirley Jackson
Homework: Write a short scene in which your character has to deal with a mundane obstacle, then rewrite it as if that small obstacle has life-or-death stakes. How did you shift it to make the stakes clearer?
Liner Notes:
Sandra Tayler's new book, Structuring Life To Support Creativity. Preorder your copy today at sandratayler.com!
And help fund Mary Robinette Kowal’s Silent Spaces, a collection of short stories on Kickstarter here:
(Or go to kickstarter.com and type in “Silent Spaces”)
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Credits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
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