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Community Composition (Daniel Stanford, Pitt Community College)

38:51
 
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Manage episode 277941675 series 2825848
Contenu fourni par Wired Ivy. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Wired Ivy ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Whether the subject matter is undergraduate poetry or graduate creative nonfiction, a writing class would appear, at first glance, to be almost perfectly suited to the virtual classroom. We’ve all read the novel and seen the film adaptation’s opening scene of an author, a libation for company, the muse for inspiration, and a laptop to capture the experience. Everyone knows writing is a reclusive endeavor, right?

Yes, because at some point it’s just you and the pen and the page… or perhaps you and pixels on a screen.

And also no. Few writers always take their solitude neat. In most cases they’ll add at least a shot or two of social now and again... over coffee, or at happy hour, maybe while attending a weekend workshop.

But in the real virtual world of higher ed, how can an educator compose a course that allows both full-time students, right out of high school, and part-time adult learners, juggling work and family, to partake in the benefits of a creative community?

Our guest, Daniel Stanford, will share the abridged story of his life as Composition Coordinator at Pitt Community College in North Carolina. Dan’s taught hybrid and asynchronous online courses since pre-LMS days, and he continues to try new tools and strategies for meeting learning objectives, engaging students, and encouraging collaboration. Listeners, this one’s sure to be a page-turner!

  continue reading

Chapitres

1. Intro (00:00:00)

2. Preface (00:00:46)

3. Guest Intro and Bio (00:02:31)

4. Hybrid, Web-Based, Blended, Online (00:04:47)

5. Dan Stanford's Introduction to Online Teaching (00:07:32)

6. Teaching Load, Course Delivery (00:10:38)

7. Student Demographics and Openness to Online Learning (00:12:08)

8. Designing for Learning Communities (00:15:12)

9. Teaching from an Existing Syllabus (00:16:53)

10. Community College Faculty, Full-Time and Adjuncts (00:19:02)

11. Standardizing Instruction and Course Design (00:22:09)

12. Online Composition Course Specifics (00:23:50)

13. Peer Feedback and Critique (00:32:29)

14. Impacts of Pandemic Pivot (00:34:16)

15. Outro (00:37:57)

43 episodes

Artwork
iconPartager
 
Manage episode 277941675 series 2825848
Contenu fourni par Wired Ivy. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Wired Ivy ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Whether the subject matter is undergraduate poetry or graduate creative nonfiction, a writing class would appear, at first glance, to be almost perfectly suited to the virtual classroom. We’ve all read the novel and seen the film adaptation’s opening scene of an author, a libation for company, the muse for inspiration, and a laptop to capture the experience. Everyone knows writing is a reclusive endeavor, right?

Yes, because at some point it’s just you and the pen and the page… or perhaps you and pixels on a screen.

And also no. Few writers always take their solitude neat. In most cases they’ll add at least a shot or two of social now and again... over coffee, or at happy hour, maybe while attending a weekend workshop.

But in the real virtual world of higher ed, how can an educator compose a course that allows both full-time students, right out of high school, and part-time adult learners, juggling work and family, to partake in the benefits of a creative community?

Our guest, Daniel Stanford, will share the abridged story of his life as Composition Coordinator at Pitt Community College in North Carolina. Dan’s taught hybrid and asynchronous online courses since pre-LMS days, and he continues to try new tools and strategies for meeting learning objectives, engaging students, and encouraging collaboration. Listeners, this one’s sure to be a page-turner!

  continue reading

Chapitres

1. Intro (00:00:00)

2. Preface (00:00:46)

3. Guest Intro and Bio (00:02:31)

4. Hybrid, Web-Based, Blended, Online (00:04:47)

5. Dan Stanford's Introduction to Online Teaching (00:07:32)

6. Teaching Load, Course Delivery (00:10:38)

7. Student Demographics and Openness to Online Learning (00:12:08)

8. Designing for Learning Communities (00:15:12)

9. Teaching from an Existing Syllabus (00:16:53)

10. Community College Faculty, Full-Time and Adjuncts (00:19:02)

11. Standardizing Instruction and Course Design (00:22:09)

12. Online Composition Course Specifics (00:23:50)

13. Peer Feedback and Critique (00:32:29)

14. Impacts of Pandemic Pivot (00:34:16)

15. Outro (00:37:57)

43 episodes

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