In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenu fourni par Brennan Klein and Pod People Productions. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Brennan Klein and Pod People Productions ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Manage episode 410577075 series 2782421
Contenu fourni par Brennan Klein and Pod People Productions. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Brennan Klein and Pod People Productions ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
“Just goes to show you, Nick. You can never be too careful."
The incomparable Sarah Marshall joins The Wives Colangelo this week to tackle one of the prickliest teen girl movies out there, and celebrate the feature film debut of Alicia Silverstone with THE CRUSH. Let's talk about the deeply weird true story behind the film, try to figure out the logistics of putting a functional carousel in an attic, and the effectiveness of weaponizing bees. The show gets into some weird and dark territory, but with Sarah Marshall around, there's still plenty of laughs to be had.
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Follow Sarah's Podcasts! @YoureWrongAboutPod and @YouAreGoodPod
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Logo Design: Haley Doodles @HaleyDoodleDo
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Manage episode 410577075 series 2782421
Contenu fourni par Brennan Klein and Pod People Productions. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Brennan Klein and Pod People Productions ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
“Just goes to show you, Nick. You can never be too careful."
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Become a Patron!
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Follow Sarah's Podcasts! @YoureWrongAboutPod and @YouAreGoodPod
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Find the Show on Twitter & Instagram: @ThisEndsAtProm
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Logo Design: Haley Doodles @HaleyDoodleDo
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Similaire à This Ends at Prom
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
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