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Contenu fourni par Paul Kalburgi. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Paul Kalburgi ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Language Power with Norman Yeung

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Manage episode 315446545 series 2996196
Contenu fourni par Paul Kalburgi. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Paul Kalburgi ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

In this episode, I talk to Norman Yeung - a Chinese Canadian writer for whom the use of language takes on a whole new meaning. As we discuss Norman's body of work in this episode, he explains how he uses 'magical realism in his work to encourage empathy through dialogue, blurring of the lines between fantasy and reality in order to break down language barriers. And of course, we talk all things Theory, following the publication of his multi-award-winning play earlier this year.

Words of Wisdom

Norman Yeung on drafting by hand... "I like to have a physical, tactile approach, or connection to the words. There’s something about the physical effort of writing with [a] pen that I think naturally makes the brain maybe want to think more succinctly... the delete button of keyboards if not my best friend for the first draft or two... because I’m getting all my ideas out there and there will be more drafts to delete then."

Conversation Highlights & Links

  • [03:30] A nocturnal writing schedule
  • [09:30] Writing with pen and ink: a physical approach
  • [15:40] Skipping a draft in the transcription process
  • [18:15] Norman’s ’shower solutions’
  • [21:10] Play discussion: Theory
  • [27:30] Working with a diversity editor
  • [32:32] Giving Theory a thriller genre packaging
  • [34:00] The ten-year development journey of Theory
  • [35:35 Language: magical realism
  • [40:10] Language: the power to alienate, unite and divide
  • [43:20] Language: a body of work
  • [45:00] The hip-hop heartbeat of East Vancouver
  • [47:55] Final scene

Connect with Norman

Connect with Paul

Next time...

I talk to New Zealand screenwriter, playwright, and writing coach, Kathryn Burnett, ahead of the world premiere of her play, The Campervan. Be sure to follow or subscribe and we'll let you know when the next episode is published.

Support the show!

This podcast is fuelled by coffee. If you'd like to support the show, please send some writing juice via the link below.

Want to advertise or sponsor the show?

Click here to get in touch


Support this podcast at — https://redcircle.com/the-writers-toolkit/donations
  continue reading

26 episodes

Artwork

Language Power with Norman Yeung

The Writer's Toolkit

11 subscribers

published

iconPartager
 
Manage episode 315446545 series 2996196
Contenu fourni par Paul Kalburgi. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Paul Kalburgi ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

In this episode, I talk to Norman Yeung - a Chinese Canadian writer for whom the use of language takes on a whole new meaning. As we discuss Norman's body of work in this episode, he explains how he uses 'magical realism in his work to encourage empathy through dialogue, blurring of the lines between fantasy and reality in order to break down language barriers. And of course, we talk all things Theory, following the publication of his multi-award-winning play earlier this year.

Words of Wisdom

Norman Yeung on drafting by hand... "I like to have a physical, tactile approach, or connection to the words. There’s something about the physical effort of writing with [a] pen that I think naturally makes the brain maybe want to think more succinctly... the delete button of keyboards if not my best friend for the first draft or two... because I’m getting all my ideas out there and there will be more drafts to delete then."

Conversation Highlights & Links

  • [03:30] A nocturnal writing schedule
  • [09:30] Writing with pen and ink: a physical approach
  • [15:40] Skipping a draft in the transcription process
  • [18:15] Norman’s ’shower solutions’
  • [21:10] Play discussion: Theory
  • [27:30] Working with a diversity editor
  • [32:32] Giving Theory a thriller genre packaging
  • [34:00] The ten-year development journey of Theory
  • [35:35 Language: magical realism
  • [40:10] Language: the power to alienate, unite and divide
  • [43:20] Language: a body of work
  • [45:00] The hip-hop heartbeat of East Vancouver
  • [47:55] Final scene

Connect with Norman

Connect with Paul

Next time...

I talk to New Zealand screenwriter, playwright, and writing coach, Kathryn Burnett, ahead of the world premiere of her play, The Campervan. Be sure to follow or subscribe and we'll let you know when the next episode is published.

Support the show!

This podcast is fuelled by coffee. If you'd like to support the show, please send some writing juice via the link below.

Want to advertise or sponsor the show?

Click here to get in touch


Support this podcast at — https://redcircle.com/the-writers-toolkit/donations
  continue reading

26 episodes

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