In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenu fourni par The Script Department Ltd.. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par The Script Department Ltd. ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Lorna and Eva discuss The People We Hate at the Wedding.
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Subscribe for more screenwriting discussions and script readings.
Subscribe so you don’t miss anything from our network of podcasts: https://podcasts.apple.com/gb/channel/the-script-department/id6442503874
Study screenwriting online at Falmouth University: https://hubs.ly/Q026yr0H0
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Follow us on LinkedIn: https://www.linkedin.com/company/thescriptdepartment
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Contenu fourni par The Script Department Ltd.. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par The Script Department Ltd. ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Lorna and Eva discuss The People We Hate at the Wedding.
Subscribe for more screenwriting discussions and script readings.
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Follow us on LinkedIn: https://www.linkedin.com/company/thescriptdepartment
Follow us on Instagram: http://instagram.com/thescriptdepartment
Follow us on Facebook: https://www.facebook.com/thescriptdepartment
Support our Work: Patreon: https://patreon.com/TheScriptDepartment
Buy us a Coffee: https://www.buymeacoffee.com/TheScriptDept
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-script-department-screenwriting-discussion--3123141/support.
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Subscribe for more screenwriting discussions and script readings.
Subscribe so you don’t miss anything from our network of podcasts: https://podcasts.apple.com/gb/channel/the-script-department/id6442503874
Study screenwriting online at Falmouth University: https://hubs.ly/Q026yr0H0
Visit our website: https://www.thescriptdepartment.net
Follow us on LinkedIn: https://www.linkedin.com/company/thescriptdepartment
Follow us on Instagram: http://instagram.com/thescriptdepartment
Follow us on Facebook: https://www.facebook.com/thescriptdepartment
Support our Work: Patreon: https://patreon.com/TheScriptDepartment
Buy us a Coffee: https://www.buymeacoffee.com/TheScriptDept
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-script-department-screenwriting-discussion--3123141/support.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
Determining if all these so called classic films are indeed just that.
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continue reading
We're currently covering Dark Matter on Apple TV+. Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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