In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenu fourni par Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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218 | Lessons In Chemistry, The Office, and Jury Duty: Lee Eisenberg's Multi-Genre Screenwriting Career
Manage episode 445627140 series 2856508
Contenu fourni par Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
JOIN TSL WORKSHOPS: https://tslworkshops.circle.so
How does a TV writer go from working on a classic sitcom (The Office), to a deeply-felt immigrant dramedy (Little America), to creating a hidden camera show (Jury Duty), and most recently, creating an Emmy-nominated female-driven workplace drama (Lessons in Chemistry)? Hard work. Despite his mega-career, Lee Eisenberg doesn't believe he is in the upper echelon of Hollywood's most talented writers, but he does believe he outworks almost anyone else in town. Tune in to find out how you can, too.
228 episodes
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Manage episode 445627140 series 2856508
Contenu fourni par Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
JOIN TSL WORKSHOPS: https://tslworkshops.circle.so
How does a TV writer go from working on a classic sitcom (The Office), to a deeply-felt immigrant dramedy (Little America), to creating a hidden camera show (Jury Duty), and most recently, creating an Emmy-nominated female-driven workplace drama (Lessons in Chemistry)? Hard work. Despite his mega-career, Lee Eisenberg doesn't believe he is in the upper echelon of Hollywood's most talented writers, but he does believe he outworks almost anyone else in town. Tune in to find out how you can, too.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
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continue reading
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continue reading
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continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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continue reading
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