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The Other Side of Despair: The Search for Meaning in T.S Eliot’s “The Waste Land”

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Manage episode 450258210 series 2568617
Contenu fourni par Ralston College. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Ralston College ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Ralston College presents a talk by Christopher Snook, Lecturer in the Department of Classics at Dalhousie University, on T.S. Eliot’s modernist masterpiece The Waste Land.

The lecture explores the personal, historical, and literary contexts of Eliot’s poem. Through an engagement with the Western tradition that is simultaneously rich and fragmented, The Waste Land confronts cultural and personal crises that have atrophied both memory and desire. Snook finds in Eliot’s work a mournful modernism that serves as a serious and searching rejoinder to the more frivolous and enervated responses present in some modernist schools, most notably Dadaism.

This lecture was delivered on April 15th, 2024 at Ralston College’s Savannah campus, during the final term of the second year of the MA in the Humanities Program. Applications are now open for next year’s MA program.

Full scholarships are available. https://www.ralston.ac/apply

Mentioned in this episdoe:

T. S. Eliot “The Waste Land”The DialKathleen RaineVirgil, AeneidEliot, “The Love Song of J. Alfred Prufrock”Eliot, “Tradition and Individual Talent”Eliot, The Family Reunion Henri BergsonBertrand Russell Virginia Woolf, Jacob’s RoomLeonard WoolfEzra PoundJames Joyce, Ulysses Ludwig Wittgenstein, Tractatus Logico-Philosophicus Oswald Spengler, Decline and Fall of the West Marcel Proust, Remembrance of Things Past Claude McCay, Harlem Shadows August Strindberg Neo-impressionism Cubism Dadaism Surrealism Futurism Taxi Driver (film) Filippo Tommaso Marinetti, War, the World’s Only Hygiene Hugo Ball, Dada Manifesto “That Shakespearian Rag” William Shakespeare, Hamlet World War I Henry James F. H. Varley Punic Wars Dante Alighieri, The Divine Comedy The Tempest Modernism Collage Pablo Picasso Georges BraqueMarcel Duchamp, Nude Descending Staircase; Fountain Montage F. H. BradleyHegel, Phenomenology of Spirit Plato The Matter of Britain Jessie Weston James Frazer Richard Wagner, Parsifal Augustine, Confessions Charles Dickens, Hard Times Joseph Conrad, Heart of Darkness Eliot, “The Hollow Men” Tower of Babel Petronius, The Satyricon Michelangelo, frescoes of Sistine Chapel Virgil, Eclogues Ovid, Metamorphoses Franz Kafka Chaucer, Canterbury Tales Thomas Middleton, Women Beware Women; A Game at Chess Shakespeare, Antony and Cleopatra Charles Baudelaire, “Au Lecteur” Fredrich Nietzsche, Genealogy of Morals

  continue reading

54 episodes

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iconPartager
 
Manage episode 450258210 series 2568617
Contenu fourni par Ralston College. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Ralston College ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Ralston College presents a talk by Christopher Snook, Lecturer in the Department of Classics at Dalhousie University, on T.S. Eliot’s modernist masterpiece The Waste Land.

The lecture explores the personal, historical, and literary contexts of Eliot’s poem. Through an engagement with the Western tradition that is simultaneously rich and fragmented, The Waste Land confronts cultural and personal crises that have atrophied both memory and desire. Snook finds in Eliot’s work a mournful modernism that serves as a serious and searching rejoinder to the more frivolous and enervated responses present in some modernist schools, most notably Dadaism.

This lecture was delivered on April 15th, 2024 at Ralston College’s Savannah campus, during the final term of the second year of the MA in the Humanities Program. Applications are now open for next year’s MA program.

Full scholarships are available. https://www.ralston.ac/apply

Mentioned in this episdoe:

T. S. Eliot “The Waste Land”The DialKathleen RaineVirgil, AeneidEliot, “The Love Song of J. Alfred Prufrock”Eliot, “Tradition and Individual Talent”Eliot, The Family Reunion Henri BergsonBertrand Russell Virginia Woolf, Jacob’s RoomLeonard WoolfEzra PoundJames Joyce, Ulysses Ludwig Wittgenstein, Tractatus Logico-Philosophicus Oswald Spengler, Decline and Fall of the West Marcel Proust, Remembrance of Things Past Claude McCay, Harlem Shadows August Strindberg Neo-impressionism Cubism Dadaism Surrealism Futurism Taxi Driver (film) Filippo Tommaso Marinetti, War, the World’s Only Hygiene Hugo Ball, Dada Manifesto “That Shakespearian Rag” William Shakespeare, Hamlet World War I Henry James F. H. Varley Punic Wars Dante Alighieri, The Divine Comedy The Tempest Modernism Collage Pablo Picasso Georges BraqueMarcel Duchamp, Nude Descending Staircase; Fountain Montage F. H. BradleyHegel, Phenomenology of Spirit Plato The Matter of Britain Jessie Weston James Frazer Richard Wagner, Parsifal Augustine, Confessions Charles Dickens, Hard Times Joseph Conrad, Heart of Darkness Eliot, “The Hollow Men” Tower of Babel Petronius, The Satyricon Michelangelo, frescoes of Sistine Chapel Virgil, Eclogues Ovid, Metamorphoses Franz Kafka Chaucer, Canterbury Tales Thomas Middleton, Women Beware Women; A Game at Chess Shakespeare, Antony and Cleopatra Charles Baudelaire, “Au Lecteur” Fredrich Nietzsche, Genealogy of Morals

  continue reading

54 episodes

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