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Alan Stanford and the cast of Samuel Beckett’s Waiting for Godot
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Contenu fourni par 2007 ARTSEDGE, The John F. Kennedy Center for the Performing Arts and ARTSEDGE: The Kennedy Center's Arts Education Network. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par 2007 ARTSEDGE, The John F. Kennedy Center for the Performing Arts and ARTSEDGE: The Kennedy Center's Arts Education Network ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Come to this play with an open and pure sense of imagination, and it will embrace you."
Since its first performance in 1953, Samuel Beckett's Waiting for Godot has generated controversy with its unconventional plot and disturbing themes. Audiences have reacted strongly, with many embracing the play, others rejecting it, but all debating its meaning. The play, which interweaves a tragic sense with circus-like elements, remains popular and influential decades later as a piece of puzzling literature, an example of unusual staging, and also an expression of the thinking of its time.
This in-depth discussion, recorded during the run of The Gate Theatre's production of Waiting for Godot at the Kennedy Center in Washington, DC, features the four adult actors (Alan Stanford, Barry McGovern, Johnny Murphy and Stephen Brennan) and the director of the production, Walter D. Asmus. This podcast features excerpts from the complete discussion program, which will be made available by the Kennedy Center Education Department in the future.
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