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Mike Birbiglia: ‘The Old Man and the Pool’

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Manage episode 432915260 series 2496402
Contenu fourni par The Daily Beast. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par The Daily Beast ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

When a special arrives on Netflix in its finished form, viewers don’t typically get to see all of the excruciating work that went into making it a polished piece. But for anyone who has been listening to Birbiglia’s Working It Out podcast over the past couple of years, it’s all there. “I was doing it privately,” he says on this week’s episode of The Last Laugh podcast. “I feel like it’s something that’s kind of unspoken about stand-up, that for the most part, we are in communities of comedians who kick around joke tags: ‘Hey, what if you did this with it?’ And ‘I have a similar story about this, and you know you could use that if you want to,’ or whatever it is. And we kind of just put it out there with audio rolling.” In his second appearance on The Last Laugh, Birbiglia talks about how this process helped shape his latest Broadway show-turned-Netflix special ‘The Old Man and the Pool’ (now Emmy-nominated for Outstanding Writing for a Variety Special), shares his thoughtful response to the “emotional truth” controversy that came for his friend and fellow comic Hasan Minhaj, breaks down how he handles criticism of his own work, and a lot more.


This episode was originally published on November 22, 2023.


Follow Mike Birbiglia on Twitter @birbigs and Instagram @birbigs

Follow Matt Wilstein on Threads @mattwilstein

Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod


Highlights from this episode and others at The Daily Beast


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

338 episodes

Artwork
iconPartager
 
Manage episode 432915260 series 2496402
Contenu fourni par The Daily Beast. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par The Daily Beast ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

When a special arrives on Netflix in its finished form, viewers don’t typically get to see all of the excruciating work that went into making it a polished piece. But for anyone who has been listening to Birbiglia’s Working It Out podcast over the past couple of years, it’s all there. “I was doing it privately,” he says on this week’s episode of The Last Laugh podcast. “I feel like it’s something that’s kind of unspoken about stand-up, that for the most part, we are in communities of comedians who kick around joke tags: ‘Hey, what if you did this with it?’ And ‘I have a similar story about this, and you know you could use that if you want to,’ or whatever it is. And we kind of just put it out there with audio rolling.” In his second appearance on The Last Laugh, Birbiglia talks about how this process helped shape his latest Broadway show-turned-Netflix special ‘The Old Man and the Pool’ (now Emmy-nominated for Outstanding Writing for a Variety Special), shares his thoughtful response to the “emotional truth” controversy that came for his friend and fellow comic Hasan Minhaj, breaks down how he handles criticism of his own work, and a lot more.


This episode was originally published on November 22, 2023.


Follow Mike Birbiglia on Twitter @birbigs and Instagram @birbigs

Follow Matt Wilstein on Threads @mattwilstein

Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod


Highlights from this episode and others at The Daily Beast


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

338 episodes

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