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Contenu fourni par The Garden Cinema. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par The Garden Cinema ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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The Quiet Girl with director Colm Bairéad
Manage episode 328778495 series 3341475
Contenu fourni par The Garden Cinema. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par The Garden Cinema ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
We chat to Colm Bairéad at the Curzon offices about his first fiction feature film, The Quiet Girl, which is based on the short story Foster by Claire Keegan. We discuss the understated and restrained qualities of the film, his reasons for choosing to adapt Keegan's novel, and the "growing confidence" of Irish language filmmaking. We also debate the ending of the film. Spoiler alert! Find us on the usual platforms. Send us your comments, feedback and suggestions via Twitter @thegardencinema or by contacting us at podcast@thegardencinema.co.uk.
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Partager
Manage episode 328778495 series 3341475
Contenu fourni par The Garden Cinema. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par The Garden Cinema ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
We chat to Colm Bairéad at the Curzon offices about his first fiction feature film, The Quiet Girl, which is based on the short story Foster by Claire Keegan. We discuss the understated and restrained qualities of the film, his reasons for choosing to adapt Keegan's novel, and the "growing confidence" of Irish language filmmaking. We also debate the ending of the film. Spoiler alert! Find us on the usual platforms. Send us your comments, feedback and suggestions via Twitter @thegardencinema or by contacting us at podcast@thegardencinema.co.uk.
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