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Holding space for native art and community đȘ¶ Kalyn Fay Barnoski, Philbrook Museum of Art
Manage episode 377347722 series 3399393
âWe aren't constantly swimming in trauma. We're a joyful people. I want to make sure that the way we present the work is reflective of an expansive and nuanced understanding that we can hold pain but we can also hold a lot of love, joy and happiness.â â Kalyn Fay Barnoski, Philbrook Museum of Art
When youâre a gatekeeper to a world thatâs still unfolding for mainstream audiences, the pressure must beâŠintense. Kalyn Fay Barnoski, an interdisciplinary artist, musician, curator, and educator from Oklahoma, who is a Cherokee Nation enrollee and of Muscogee Creek descent, confirmed that the responsibility is a big one that they donât take lightly.
What does that feel like? How does one begin to curate from such a vast and varied universe? What happens when the job also means retelling history? And what's the importance of the land a museum sits on when thinking about curation?
Listen in as Kalyn shares details about how they approach such a sacred role, what theyâre excited about â and what work still needs to be done â when they ponder how Indigenous culture is presented in museums in 2023.
Other highlights, inspiration and key learnings from the conversation:
- How their life as an artist impacts their approach as a curator
- What people donât get right about native art and culture
- Honoring all parts of yourself as a curator
- Indigenous creatives more people should know
- Making space for creativity
đ Say "hi" to Kalyn.
đ Browse the companion Storyboard to get the episode, plus Kalynâs favorite culture picks.
â This podcast was created by Flipboard, the worldâs first social magazine, where enthusiasts are curating stories they recommend across thousands of interests. Learn more.
41 episodes
Manage episode 377347722 series 3399393
âWe aren't constantly swimming in trauma. We're a joyful people. I want to make sure that the way we present the work is reflective of an expansive and nuanced understanding that we can hold pain but we can also hold a lot of love, joy and happiness.â â Kalyn Fay Barnoski, Philbrook Museum of Art
When youâre a gatekeeper to a world thatâs still unfolding for mainstream audiences, the pressure must beâŠintense. Kalyn Fay Barnoski, an interdisciplinary artist, musician, curator, and educator from Oklahoma, who is a Cherokee Nation enrollee and of Muscogee Creek descent, confirmed that the responsibility is a big one that they donât take lightly.
What does that feel like? How does one begin to curate from such a vast and varied universe? What happens when the job also means retelling history? And what's the importance of the land a museum sits on when thinking about curation?
Listen in as Kalyn shares details about how they approach such a sacred role, what theyâre excited about â and what work still needs to be done â when they ponder how Indigenous culture is presented in museums in 2023.
Other highlights, inspiration and key learnings from the conversation:
- How their life as an artist impacts their approach as a curator
- What people donât get right about native art and culture
- Honoring all parts of yourself as a curator
- Indigenous creatives more people should know
- Making space for creativity
đ Say "hi" to Kalyn.
đ Browse the companion Storyboard to get the episode, plus Kalynâs favorite culture picks.
â This podcast was created by Flipboard, the worldâs first social magazine, where enthusiasts are curating stories they recommend across thousands of interests. Learn more.
41 episodes
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