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Ep. #50 Amy Shearn and Hannah Oberman-Breindel - To the Lighthouse

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Manage episode 382540121 series 2494675
Contenu fourni par Howard Altarescu. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Howard Altarescu ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
I enjoyed talking with Amy Shearn and Hannah Oberman-Breindel this summer when they were in the Artist-in-Residence writing program at Woodstock’s Byrdcliffe Arts Colony, and even more so on our recent podcast discussion of Virginia Woolf’s To The Lighthouse, which is considered to be one of the great literary masterpieces of the twentieth century. I had not previously read any Virginia Woolf and I had not studied literary modernism. Despite being uninitiated, I was struck by the way Woolf captured the human condition and, in a realistic way, the unstructured non-linear thought processes of her characters. Written in 1927, the novel spans the time from just before to just after World War I The story itself, which has numerous autobiographical overlaps, revolves around the Ramsey family and their guests at their summer home by the sea in the Scottish Hebrides. Lots goes on, but only in the sense that life goes on, and it’s all really great. Our podcast discussion was very much in the vein of Woolf’s stream of consciousness narrative style, depicting “the multitudinous thoughts and feelings which pass through the mind" of a narrator, “an overlapping of images and ideas”. Virginia Woolf wrote in her diary, “The method of writing smooth narrative can’t be right. Things don’t happen in one’s mind like that, we experience, all the time, an overlapping of images and ideas, and modern novels should convey our mental confusion instead of neatly rearranging it. The reader must sort it out”. And we did try to sort it out!
  continue reading

51 episodes

Artwork
iconPartager
 
Manage episode 382540121 series 2494675
Contenu fourni par Howard Altarescu. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Howard Altarescu ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
I enjoyed talking with Amy Shearn and Hannah Oberman-Breindel this summer when they were in the Artist-in-Residence writing program at Woodstock’s Byrdcliffe Arts Colony, and even more so on our recent podcast discussion of Virginia Woolf’s To The Lighthouse, which is considered to be one of the great literary masterpieces of the twentieth century. I had not previously read any Virginia Woolf and I had not studied literary modernism. Despite being uninitiated, I was struck by the way Woolf captured the human condition and, in a realistic way, the unstructured non-linear thought processes of her characters. Written in 1927, the novel spans the time from just before to just after World War I The story itself, which has numerous autobiographical overlaps, revolves around the Ramsey family and their guests at their summer home by the sea in the Scottish Hebrides. Lots goes on, but only in the sense that life goes on, and it’s all really great. Our podcast discussion was very much in the vein of Woolf’s stream of consciousness narrative style, depicting “the multitudinous thoughts and feelings which pass through the mind" of a narrator, “an overlapping of images and ideas”. Virginia Woolf wrote in her diary, “The method of writing smooth narrative can’t be right. Things don’t happen in one’s mind like that, we experience, all the time, an overlapping of images and ideas, and modern novels should convey our mental confusion instead of neatly rearranging it. The reader must sort it out”. And we did try to sort it out!
  continue reading

51 episodes

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