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#33 – The Omen
Manage episode 245212880 series 1750562
Contenu fourni par Settling the Score. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Settling the Score ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Just in time for Halloween, this episode is all for you! Hear what Revelations are in store as Jon and Andy discuss Jerry Goldsmith’s score to the 1976 horror flick The Omen. Should a horror film’s music know that it’s in a horror film? Where are all these voices coming from? And, is Neil Diamond really a Satanist?
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Manage episode 245212880 series 1750562
Contenu fourni par Settling the Score. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Settling the Score ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Just in time for Halloween, this episode is all for you! Hear what Revelations are in store as Jon and Andy discuss Jerry Goldsmith’s score to the 1976 horror flick The Omen. Should a horror film’s music know that it’s in a horror film? Where are all these voices coming from? And, is Neil Diamond really a Satanist?
70 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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