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019 Find Your Voice with John Dolan

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Manage episode 268416558 series 2770064
Contenu fourni par The Photo Report. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par The Photo Report ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
John Dolan is best known for finding the in-between, unplanned moments that make real people look beautiful and beautiful people look real. John has woven a career of advertising, editorial and fine art photography. He is a recognized leader in contemporary wedding photography. Wedding clients include magazine art directors and editors, as well as celebrity couples Will & Jada Smith, Ben & Christine Stiller, Kate Bosworth & Michael Polish, Bridget Moynahan & Andrew Frankel, and most recently, Gwyneth Paltrow & Brad Falchuk. The modern wedding has become so much about the photographs and John takes an approach that is more about the wedding and less about the shot list. He photographs as things happen vs curating and cultivating what wouldn’t otherwise be there. This is a great interview and hope you like it. And here’s the transcript from the conversation with John and Braedon: Braedon Flynn: 00:01 John, thanks so much for coming on the show and sharing your wisdom and all that and stoked to have you here. Awesome. Well, for people that don't know you as well, can you just give a slight background as to, I mean where you are in your photo journey and how you got there. John Dolan: 00:22 I've been in the game for a long time. I was thinking about last night. It's the only job I've ever had since I was 15 years old. Uh, so I've never had a full time job. I've never had a paycheck from somebody besides myself. So I've had 30 years freelance in New York and I started out as a magazine photographer and slipped my way into weddings in the early days of the nineties and I've always had an ambition to keep weddings as part of my business but not let them be the whole business. So I've balanced magazine work, ad work and weddings for 30 years. Braedon Flynn: 01:09 I think a lot of people either. I know a lot of commercial photographers that have just recently started getting into weddings because I know when I first started getting into weddings who was sort of like, oh, that's cute, you shoot weddings, and it was almost. It was really frowned upon to shoot weddings. Have you found that to be the case coming from both worlds? John Dolan: 01:31 Certainly when I started, weddings were the lowest form of photography, even I remember being at a party with a lot of journalists back in the nineties and people were talking about doing projects in Nicaragua or Bosnia and they turned to me and said, what are you doing? I've been shooting weddings and they all kind of frowned at me for a second. And I said, well, I just thought will smith wedding. I shot Ben Stiller's and, they started handing out business cards. Do you need a second? John Dolan: 02:08 But it was, it was a great moment because I realized that I wasn't ashamed of doing it and I was doing it my way. And also in the nineties it was wide open. There was a very small group of us who embraced wedding as photographers rather than as wedding photographers. When you come to it with that attitude that you're. I really thought of myself as somebody who was fascinated by weddings rather than by the wedding industry. I just wanted to tell the stories that I saw in front of me and and dive deep into them as if I was shooting a magazine story. So it was almost that I was naive to the ways of the wedding industry. That was a real help. Sometimes being being an amateur is a help and I feel for people who are starting these days because the wedding industry is so strong and they're so many great photographers who are. I'm making a really good living, doing big time wedding photography, but in a funny way. It was much more innocent to a movement. We were rejecting the cheesy stuff with the eighties and just doing our thing in the nineties, so it's a tricky time now. Braedon Flynn: 03:38 We'll get into that in a second, but I'd still love to go back to just going from being a journalist and then going to shooting people like will smith and Ben Stiller. How, how did that end up coming about? Like --- Send in a voice message: https://podcasters.spotify.com/pod/show/thephotoreport/message
  continue reading

66 episodes

Artwork
iconPartager
 
Manage episode 268416558 series 2770064
Contenu fourni par The Photo Report. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par The Photo Report ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
John Dolan is best known for finding the in-between, unplanned moments that make real people look beautiful and beautiful people look real. John has woven a career of advertising, editorial and fine art photography. He is a recognized leader in contemporary wedding photography. Wedding clients include magazine art directors and editors, as well as celebrity couples Will & Jada Smith, Ben & Christine Stiller, Kate Bosworth & Michael Polish, Bridget Moynahan & Andrew Frankel, and most recently, Gwyneth Paltrow & Brad Falchuk. The modern wedding has become so much about the photographs and John takes an approach that is more about the wedding and less about the shot list. He photographs as things happen vs curating and cultivating what wouldn’t otherwise be there. This is a great interview and hope you like it. And here’s the transcript from the conversation with John and Braedon: Braedon Flynn: 00:01 John, thanks so much for coming on the show and sharing your wisdom and all that and stoked to have you here. Awesome. Well, for people that don't know you as well, can you just give a slight background as to, I mean where you are in your photo journey and how you got there. John Dolan: 00:22 I've been in the game for a long time. I was thinking about last night. It's the only job I've ever had since I was 15 years old. Uh, so I've never had a full time job. I've never had a paycheck from somebody besides myself. So I've had 30 years freelance in New York and I started out as a magazine photographer and slipped my way into weddings in the early days of the nineties and I've always had an ambition to keep weddings as part of my business but not let them be the whole business. So I've balanced magazine work, ad work and weddings for 30 years. Braedon Flynn: 01:09 I think a lot of people either. I know a lot of commercial photographers that have just recently started getting into weddings because I know when I first started getting into weddings who was sort of like, oh, that's cute, you shoot weddings, and it was almost. It was really frowned upon to shoot weddings. Have you found that to be the case coming from both worlds? John Dolan: 01:31 Certainly when I started, weddings were the lowest form of photography, even I remember being at a party with a lot of journalists back in the nineties and people were talking about doing projects in Nicaragua or Bosnia and they turned to me and said, what are you doing? I've been shooting weddings and they all kind of frowned at me for a second. And I said, well, I just thought will smith wedding. I shot Ben Stiller's and, they started handing out business cards. Do you need a second? John Dolan: 02:08 But it was, it was a great moment because I realized that I wasn't ashamed of doing it and I was doing it my way. And also in the nineties it was wide open. There was a very small group of us who embraced wedding as photographers rather than as wedding photographers. When you come to it with that attitude that you're. I really thought of myself as somebody who was fascinated by weddings rather than by the wedding industry. I just wanted to tell the stories that I saw in front of me and and dive deep into them as if I was shooting a magazine story. So it was almost that I was naive to the ways of the wedding industry. That was a real help. Sometimes being being an amateur is a help and I feel for people who are starting these days because the wedding industry is so strong and they're so many great photographers who are. I'm making a really good living, doing big time wedding photography, but in a funny way. It was much more innocent to a movement. We were rejecting the cheesy stuff with the eighties and just doing our thing in the nineties, so it's a tricky time now. Braedon Flynn: 03:38 We'll get into that in a second, but I'd still love to go back to just going from being a journalist and then going to shooting people like will smith and Ben Stiller. How, how did that end up coming about? Like --- Send in a voice message: https://podcasters.spotify.com/pod/show/thephotoreport/message
  continue reading

66 episodes

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