In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenu fourni par TIFF Long Take and TIFF (Toronto International Film Festival). Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par TIFF Long Take and TIFF (Toronto International Film Festival) ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Ep. 81: 'Icebox' Takes us Inside the World of Child Migrants
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Contenu fourni par TIFF Long Take and TIFF (Toronto International Film Festival). Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par TIFF Long Take and TIFF (Toronto International Film Festival) ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
This week on TIFF Long Take, Rob and Geoff speak with Daniel Sawka, director of the timely social drama Icebox. The film, which premieres at TIFF 2018, tells the story of a 12 year old Honduran boy, interned at a US immigration detention centre, and has gained added resonance in the wake the Trump administration’s “zero-tolerance” immigration policy. The group also welcome Karine Jean-Pierre, advisor and national spokesperson for ‘MoveOn’. The progressive policy advocacy group recently helped to organize #FamiliesBelongTogether, a day of coordinated protest against family separation and family detention.
The four discuss the making of Icebox, how film can be used to increase awareness of a social issues, and why Sawka chose to highlight this issue through a narrative film, rather than a documentary.
They also talk about the casting of the film’s remarkable young lead, Anthony Gonzalez, how issues of immigration of migration in the United States have become exacerbated under Trump’s policies, and the influence of the film’s producer, the legendary James L. Brooks.
102 episodes
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Manage episode 216195222 series 1758802
Contenu fourni par TIFF Long Take and TIFF (Toronto International Film Festival). Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par TIFF Long Take and TIFF (Toronto International Film Festival) ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
This week on TIFF Long Take, Rob and Geoff speak with Daniel Sawka, director of the timely social drama Icebox. The film, which premieres at TIFF 2018, tells the story of a 12 year old Honduran boy, interned at a US immigration detention centre, and has gained added resonance in the wake the Trump administration’s “zero-tolerance” immigration policy. The group also welcome Karine Jean-Pierre, advisor and national spokesperson for ‘MoveOn’. The progressive policy advocacy group recently helped to organize #FamiliesBelongTogether, a day of coordinated protest against family separation and family detention.
The four discuss the making of Icebox, how film can be used to increase awareness of a social issues, and why Sawka chose to highlight this issue through a narrative film, rather than a documentary.
They also talk about the casting of the film’s remarkable young lead, Anthony Gonzalez, how issues of immigration of migration in the United States have become exacerbated under Trump’s policies, and the influence of the film’s producer, the legendary James L. Brooks.
102 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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