In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenu fourni par Minnesota Public Radio News and Minnesota Public Radio. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Minnesota Public Radio News and Minnesota Public Radio ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Cube Critics discuss ‘Emilia Pérez’
Manage episode 451457019 series 1319307
Contenu fourni par Minnesota Public Radio News and Minnesota Public Radio. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Minnesota Public Radio News and Minnesota Public Radio ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
“Emilia Pérez” is a French film set in Mexico, shot largely on soundstages in France, blending elements of noir, musicals and occasional winking comedy.
The story follows a Mexican cartel boss (Karla Sofía Gascón) who transitions to living as a woman, with Zoe Saldaña playing the lawyer who helps her navigate the dangerous logistics of the operation and its aftermath.
Gascón, a trans actress, brings authenticity to a role treated with sincerity and compassion, while the film’s humor adds a cheeky charm.
The musical elements, though sporadic, are striking, showcasing Saldaña’s dance and theater background. Highlights include an operatic sing-talking style and a gun-loading choreography sequence, though the integration of music could have been more consistent.
This is an interesting moment for offbeat musicals (compare with 2021’s “Annette,” in which Adam Driver has a puppet as a child). Hopefully, as they mature they will get a firmer grasp on what makes musicals so powerful.
90 episodes
Partager
Manage episode 451457019 series 1319307
Contenu fourni par Minnesota Public Radio News and Minnesota Public Radio. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Minnesota Public Radio News and Minnesota Public Radio ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
“Emilia Pérez” is a French film set in Mexico, shot largely on soundstages in France, blending elements of noir, musicals and occasional winking comedy.
The story follows a Mexican cartel boss (Karla Sofía Gascón) who transitions to living as a woman, with Zoe Saldaña playing the lawyer who helps her navigate the dangerous logistics of the operation and its aftermath.
Gascón, a trans actress, brings authenticity to a role treated with sincerity and compassion, while the film’s humor adds a cheeky charm.
The musical elements, though sporadic, are striking, showcasing Saldaña’s dance and theater background. Highlights include an operatic sing-talking style and a gun-loading choreography sequence, though the integration of music could have been more consistent.
This is an interesting moment for offbeat musicals (compare with 2021’s “Annette,” in which Adam Driver has a puppet as a child). Hopefully, as they mature they will get a firmer grasp on what makes musicals so powerful.
90 episodes
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Similaire à Cube Critics
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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…
continue reading
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…
continue reading
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continue reading
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…
continue reading
Host Julie Amacher provides an in-depth exploration of a new classical music release each week.
…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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continue reading
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