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Manage episode 286941503 series 2881765
Contenu fourni par Screenplayed. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Screenplayed ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
On this episode of The Screenplayed Breakdown, we speak with director and co-writer, Shaka King, on his new movie, 'Judas and the Black Messiah'. Shaka talks about structuring a true-life story, the struggles of selling his first feature, and the racism he experienced in the industry.
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Manage episode 286941503 series 2881765
Contenu fourni par Screenplayed. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Screenplayed ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
On this episode of The Screenplayed Breakdown, we speak with director and co-writer, Shaka King, on his new movie, 'Judas and the Black Messiah'. Shaka talks about structuring a true-life story, the struggles of selling his first feature, and the racism he experienced in the industry.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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