The Washington Post's Presidential podcast explores how each former American president reached office, made decisions, handled crises and redefined the role of commander-in-chief. It was released leading up to up to Election Day 2016, starting with George Washington in week one and ending on week 44 with the president-elect. New special episodes in the countdown to the 2020 presidential election highlight other stories from U.S. presidential history that can help illuminate our current momen ...
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S2 Ep792: Vidar Hjardeng MBE - The New Real, AD Theatre Review
MP3•Maison d'episode
Manage episode 448058639 series 2133073
Contenu fourni par Clive Gardiner and RNIB Connect Radio. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Clive Gardiner and RNIB Connect Radio ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
RNIB Connect Radio’s Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews.
This week Vidar was reviewing David Edgar’s 10th play for the RSC with ‘The New Real’ at the Royal Shakespeare Company’s Other Place Theatre in Stratford-upon-Avon with description by Professional Audio Describers Gethyn Edwards and Carolyn Smith.
About The new Real
In a faraway country, a ferocious election is about to be fought, and it's hard to tell what's real and what's fake. ‘So here’s the offer. To run a highly ethical campaign for a candidate you really can believe in, actually. In a place that needs you. Now.’
It’s the 2000s. We’re in a faraway country. Rachel, a stellar American political strategist, and Caro, her British data whizz, have been hired to fight a ferocious election, in a place where it’s hard to tell what’s real and what’s fake.
They think they’re here to teach the Eastern Europeans how to do democracy, but it turns out they’re here to learn. And when Rachel’s former political partner Larry rocks up on the rival side, their showdown threatens to change global politics, from Warsaw to Wisconsin. Forever.
At a time of epoch-changing elections on both sides of the Atlantic, Holly Race Roughan (Artistic Director of Headlong) directs The New Real, David Edgar’s epic, panoramic play about how the political fault-line was redrawn. An origin story, for right now.
For more about access at the Royal Shakespeare Company including details of audio described performances do visit - https://www.rsc.org.uk/your-visit/access/
(Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
This week Vidar was reviewing David Edgar’s 10th play for the RSC with ‘The New Real’ at the Royal Shakespeare Company’s Other Place Theatre in Stratford-upon-Avon with description by Professional Audio Describers Gethyn Edwards and Carolyn Smith.
About The new Real
In a faraway country, a ferocious election is about to be fought, and it's hard to tell what's real and what's fake. ‘So here’s the offer. To run a highly ethical campaign for a candidate you really can believe in, actually. In a place that needs you. Now.’
It’s the 2000s. We’re in a faraway country. Rachel, a stellar American political strategist, and Caro, her British data whizz, have been hired to fight a ferocious election, in a place where it’s hard to tell what’s real and what’s fake.
They think they’re here to teach the Eastern Europeans how to do democracy, but it turns out they’re here to learn. And when Rachel’s former political partner Larry rocks up on the rival side, their showdown threatens to change global politics, from Warsaw to Wisconsin. Forever.
At a time of epoch-changing elections on both sides of the Atlantic, Holly Race Roughan (Artistic Director of Headlong) directs The New Real, David Edgar’s epic, panoramic play about how the political fault-line was redrawn. An origin story, for right now.
For more about access at the Royal Shakespeare Company including details of audio described performances do visit - https://www.rsc.org.uk/your-visit/access/
(Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
517 episodes
MP3•Maison d'episode
Manage episode 448058639 series 2133073
Contenu fourni par Clive Gardiner and RNIB Connect Radio. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Clive Gardiner and RNIB Connect Radio ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
RNIB Connect Radio’s Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews.
This week Vidar was reviewing David Edgar’s 10th play for the RSC with ‘The New Real’ at the Royal Shakespeare Company’s Other Place Theatre in Stratford-upon-Avon with description by Professional Audio Describers Gethyn Edwards and Carolyn Smith.
About The new Real
In a faraway country, a ferocious election is about to be fought, and it's hard to tell what's real and what's fake. ‘So here’s the offer. To run a highly ethical campaign for a candidate you really can believe in, actually. In a place that needs you. Now.’
It’s the 2000s. We’re in a faraway country. Rachel, a stellar American political strategist, and Caro, her British data whizz, have been hired to fight a ferocious election, in a place where it’s hard to tell what’s real and what’s fake.
They think they’re here to teach the Eastern Europeans how to do democracy, but it turns out they’re here to learn. And when Rachel’s former political partner Larry rocks up on the rival side, their showdown threatens to change global politics, from Warsaw to Wisconsin. Forever.
At a time of epoch-changing elections on both sides of the Atlantic, Holly Race Roughan (Artistic Director of Headlong) directs The New Real, David Edgar’s epic, panoramic play about how the political fault-line was redrawn. An origin story, for right now.
For more about access at the Royal Shakespeare Company including details of audio described performances do visit - https://www.rsc.org.uk/your-visit/access/
(Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
This week Vidar was reviewing David Edgar’s 10th play for the RSC with ‘The New Real’ at the Royal Shakespeare Company’s Other Place Theatre in Stratford-upon-Avon with description by Professional Audio Describers Gethyn Edwards and Carolyn Smith.
About The new Real
In a faraway country, a ferocious election is about to be fought, and it's hard to tell what's real and what's fake. ‘So here’s the offer. To run a highly ethical campaign for a candidate you really can believe in, actually. In a place that needs you. Now.’
It’s the 2000s. We’re in a faraway country. Rachel, a stellar American political strategist, and Caro, her British data whizz, have been hired to fight a ferocious election, in a place where it’s hard to tell what’s real and what’s fake.
They think they’re here to teach the Eastern Europeans how to do democracy, but it turns out they’re here to learn. And when Rachel’s former political partner Larry rocks up on the rival side, their showdown threatens to change global politics, from Warsaw to Wisconsin. Forever.
At a time of epoch-changing elections on both sides of the Atlantic, Holly Race Roughan (Artistic Director of Headlong) directs The New Real, David Edgar’s epic, panoramic play about how the political fault-line was redrawn. An origin story, for right now.
For more about access at the Royal Shakespeare Company including details of audio described performances do visit - https://www.rsc.org.uk/your-visit/access/
(Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
517 episodes
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