Artwork

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Writer's Talk with Warren Ashworth & Susan Kander with Special Guest Michael Poage

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Manage episode 313229337 series 3262968
Contenu fourni par Lisa Tomey-Zonneveld. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Lisa Tomey-Zonneveld ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

We have shifted gears at the PPPP and let a couple of phenomenal writers into the mix. After all, there is one poem in this book "We the House."

About the book:

Mrs. Peale has been dead for 38 years and Ambleside is a new Italianate house on the Kansas prairie when her existential yelp sparks the beginning of an unforgettable relationship. We, the House begins in 1878 in a frontier town on the Kansas prairie where a battered Civil War Union veteran builds his new wife her dream house, an Italianate glory she names Ambleside. Soon an early American portrait of Mrs. Simon Peale arrives from Hartford, Connecticut to dignify the dining room wall. When the portrait’s existential yelp causes house and painting to discover each other, Ambleside is a perfect ‘tabula rasa,’ almost literally born yesterday, and Mrs. Peale a devastated young widow, a starchy professor of Latin, who has been dead since 1841. Together, through the lives and generations of ‘their’ family, this disarming odd couple witness and try to comprehend the panorama of American social history–from women’s suffrage, three wars, the ice box, photography, and the invention of the twoby-four, to indoor plumbing and electrification, the Dust Bowl, the Depression, and Dachau, foxglove, the Love That Dare Not Speak its Name, the song of the catbird, and Little Women. Over the decades, a most unusual love develops between them and quietly deepens, until one day in 2010 an art historian from New York happens to see the portrait of Mrs. Peale and, abruptly, everything changes.

About the Authors https://wethehousebook.com/about-the-authors/

More information is at available at www.WeTheHouseBook.com

  continue reading

133 episodes

Artwork
iconPartager
 
Manage episode 313229337 series 3262968
Contenu fourni par Lisa Tomey-Zonneveld. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Lisa Tomey-Zonneveld ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

We have shifted gears at the PPPP and let a couple of phenomenal writers into the mix. After all, there is one poem in this book "We the House."

About the book:

Mrs. Peale has been dead for 38 years and Ambleside is a new Italianate house on the Kansas prairie when her existential yelp sparks the beginning of an unforgettable relationship. We, the House begins in 1878 in a frontier town on the Kansas prairie where a battered Civil War Union veteran builds his new wife her dream house, an Italianate glory she names Ambleside. Soon an early American portrait of Mrs. Simon Peale arrives from Hartford, Connecticut to dignify the dining room wall. When the portrait’s existential yelp causes house and painting to discover each other, Ambleside is a perfect ‘tabula rasa,’ almost literally born yesterday, and Mrs. Peale a devastated young widow, a starchy professor of Latin, who has been dead since 1841. Together, through the lives and generations of ‘their’ family, this disarming odd couple witness and try to comprehend the panorama of American social history–from women’s suffrage, three wars, the ice box, photography, and the invention of the twoby-four, to indoor plumbing and electrification, the Dust Bowl, the Depression, and Dachau, foxglove, the Love That Dare Not Speak its Name, the song of the catbird, and Little Women. Over the decades, a most unusual love develops between them and quietly deepens, until one day in 2010 an art historian from New York happens to see the portrait of Mrs. Peale and, abruptly, everything changes.

About the Authors https://wethehousebook.com/about-the-authors/

More information is at available at www.WeTheHouseBook.com

  continue reading

133 episodes

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