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Contenu fourni par Jeremy Boyd & Jon VanDyk, Jeremy Boyd, and Jon VanDyk. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Jeremy Boyd & Jon VanDyk, Jeremy Boyd, and Jon VanDyk ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Frankie Goes to Hollywood - Welcome to the Pleasuredome (1984)

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Manage episode 447422889 series 3600163
Contenu fourni par Jeremy Boyd & Jon VanDyk, Jeremy Boyd, and Jon VanDyk. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Jeremy Boyd & Jon VanDyk, Jeremy Boyd, and Jon VanDyk ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Welcome to the Pleasuredome by Frankie Goes to Hollywood, released in 1984, is an ambitious and theatrical debut album that blends new wave, synth-pop, and dance music with a bold, provocative aesthetic. Spanning over an hour, the double album features iconic hits like "Relax" and "Two Tribes," which challenged social norms and pushed boundaries with their suggestive lyrics and politically charged messages. The album's title track, a sprawling 13-minute epic, encapsulates the hedonistic, larger-than-life energy of the band. Welcome to the Pleasuredome became a defining statement of 80s pop culture and remains a symbol of flamboyance and rebellion.
Listen to the album on Apple Music
Listen to the album on Spotify

What did you think of this album? Send us a text!

Support the show

Patreon
Website
Polyphonic Press Subreddit
Follow us on Instagram
Contact: polyphonicpressmusic@gmail.com
DISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.

  continue reading

79 episodes

Artwork
iconPartager
 
Manage episode 447422889 series 3600163
Contenu fourni par Jeremy Boyd & Jon VanDyk, Jeremy Boyd, and Jon VanDyk. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Jeremy Boyd & Jon VanDyk, Jeremy Boyd, and Jon VanDyk ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Welcome to the Pleasuredome by Frankie Goes to Hollywood, released in 1984, is an ambitious and theatrical debut album that blends new wave, synth-pop, and dance music with a bold, provocative aesthetic. Spanning over an hour, the double album features iconic hits like "Relax" and "Two Tribes," which challenged social norms and pushed boundaries with their suggestive lyrics and politically charged messages. The album's title track, a sprawling 13-minute epic, encapsulates the hedonistic, larger-than-life energy of the band. Welcome to the Pleasuredome became a defining statement of 80s pop culture and remains a symbol of flamboyance and rebellion.
Listen to the album on Apple Music
Listen to the album on Spotify

What did you think of this album? Send us a text!

Support the show

Patreon
Website
Polyphonic Press Subreddit
Follow us on Instagram
Contact: polyphonicpressmusic@gmail.com
DISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.

  continue reading

79 episodes

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