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Manage episode 408142381 series 2134258
Contenu fourni par Annalee Newitz and Our Opinions Are Correct. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Annalee Newitz and Our Opinions Are Correct ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Manage episode 408142381 series 2134258
Contenu fourni par Annalee Newitz and Our Opinions Are Correct. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Annalee Newitz and Our Opinions Are Correct ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
It's a scary time for LGBTQIA+ folks — and many of us are turning to horror stories that take our real-life terrors and make them even more monstrous. To find out why, we talk to Dr. Chuck Tingle, the author of Camp Damascus and Bury Your Gays, and we geek out about why queers love to be scared. Also, we talk about horror movie soundtracks — and the 1970s prog rock experiment that changed horror movie music forever.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
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continue reading
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