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Salma Siddique, "Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960" (Cambridge UP, 2022)

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Contenu fourni par Marshall Poe. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Marshall Poe ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960 (Cambridge UP, 2022) offers a new history of the partition. Based on previously unexamined archives and rare films, it investigates key questions around film production, partition and the provenance of the nation in South Asia: How did partition transform the dynamic and transcultural film industry of undivided India? What has been the relationship between Pakistani and Indian Cinema? Could the cinematic rendition of Pakistan have preceded its territorial realisation? Focussing on the unravelling of artistic and economic ties between two formerly intimate film cities of colonial India, Bombay and Lahore, this book follows their transition into the nationally discrete production centres of independent India and Pakistan. Pursuing inflections, migrations and shifts across national lines, Evacuee Cinema explains how filmmaking interpreted national danger and examines the expulsion and rehabilitation that went into the making of ‘Indian’ and ‘Pakistani’ cinema.

Dr Salma Siddique is research faculty at Humboldt Universität zu Berlin, specializing in South Asian popular cinema, Islamicate screen cultures and immigrant media. Her research has been published in Feminist Media Histories, Third Text, and Comparative Studies of South Asia, Africa and the Middle East. She is a core editor at BioScope: South Asian Screen Studies, published by Sage.

Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of social media and internet studies, platforms and film studies, disability studies, production cultures, affect studies, creative media industries and cultural studies. She can be reached at here.

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719 episodes

Artwork
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Manage episode 439835556 series 2421483
Contenu fourni par Marshall Poe. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Marshall Poe ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960 (Cambridge UP, 2022) offers a new history of the partition. Based on previously unexamined archives and rare films, it investigates key questions around film production, partition and the provenance of the nation in South Asia: How did partition transform the dynamic and transcultural film industry of undivided India? What has been the relationship between Pakistani and Indian Cinema? Could the cinematic rendition of Pakistan have preceded its territorial realisation? Focussing on the unravelling of artistic and economic ties between two formerly intimate film cities of colonial India, Bombay and Lahore, this book follows their transition into the nationally discrete production centres of independent India and Pakistan. Pursuing inflections, migrations and shifts across national lines, Evacuee Cinema explains how filmmaking interpreted national danger and examines the expulsion and rehabilitation that went into the making of ‘Indian’ and ‘Pakistani’ cinema.

Dr Salma Siddique is research faculty at Humboldt Universität zu Berlin, specializing in South Asian popular cinema, Islamicate screen cultures and immigrant media. Her research has been published in Feminist Media Histories, Third Text, and Comparative Studies of South Asia, Africa and the Middle East. She is a core editor at BioScope: South Asian Screen Studies, published by Sage.

Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of social media and internet studies, platforms and film studies, disability studies, production cultures, affect studies, creative media industries and cultural studies. She can be reached at here.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

  continue reading

719 episodes

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