In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenu fourni par Movies vs. Capitalism. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Movies vs. Capitalism ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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It’s A Wonderful Life (w/ Melanie Vesey)
Manage episode 389003119 series 3441224
Contenu fourni par Movies vs. Capitalism. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Movies vs. Capitalism ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Rivka and Frank are joined by comedian and actor Melanie Vesey for a cheerful yet critical discussion about Frank Capra’s classic Christmas film starring Jimmy Stewart and Donna Reed, It’s A Wonderful Life. They discuss how the film’s depiction of American and liberal idealism may have something to do with its staying power. They also question why Jimmy Stewart’s character George Bailey didn’t simply go on a vacation or two, and suggest that the film’s alternate reality of “Pottersville” actually looked pretty fun.
- Netflix Turns To South Korean Writers And Crews As Hollywood Strikes. But They Feel Exploited Too (Los Angeles Times, 2023)
www.patreon.com/movies_vs_capitalism
MVC donates its ad space to progressive or leftist causes and organizations. If you’re interested in promoting your work, email us at moviesvscapitalism@gmail.com.
Artwork by Rufus Paisley | Theme song by JustBen
81 episodes
Partager
Manage episode 389003119 series 3441224
Contenu fourni par Movies vs. Capitalism. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Movies vs. Capitalism ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Rivka and Frank are joined by comedian and actor Melanie Vesey for a cheerful yet critical discussion about Frank Capra’s classic Christmas film starring Jimmy Stewart and Donna Reed, It’s A Wonderful Life. They discuss how the film’s depiction of American and liberal idealism may have something to do with its staying power. They also question why Jimmy Stewart’s character George Bailey didn’t simply go on a vacation or two, and suggest that the film’s alternate reality of “Pottersville” actually looked pretty fun.
- Netflix Turns To South Korean Writers And Crews As Hollywood Strikes. But They Feel Exploited Too (Los Angeles Times, 2023)
www.patreon.com/movies_vs_capitalism
MVC donates its ad space to progressive or leftist causes and organizations. If you’re interested in promoting your work, email us at moviesvscapitalism@gmail.com.
Artwork by Rufus Paisley | Theme song by JustBen
81 episodes
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Similaire à Movies vs. Capitalism
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Watch what you want, where you want, when you want on whatever device you please. Take control of your TV, Movies and more. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Matt Gourley and Matt Mira love James Bond so much they decided to make a podcast about it. Each episode they invite a guest to dive deep into one movie from the greatest film franchise known to man. The entire James Bonding catalogue is now being re-released for free, one week at a time, starting 10/5/22. We never left. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
DumTeeDum is a weekly podcast about The Archers featuring fans of Ambridge. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
From the creators of the #1 documentary SCORE comes this award-winning podcast inviting you into the world of today's most beloved film composers and brilliant musical storytellers.
…
continue reading
It's not just crazy talk, it's Psychobabble - the official free audio podcast from YouTube sensation Tyler Oakley. Listen each week as he and his bestie Korey Kuhl bring you a half hour of unfiltered gossip sessions, pop culture scrutiny, and stories never told before.
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continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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continue reading
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