The Night Circus x Reading Ecosystems

Material Girls

One of Marcelle's favorite books is The Night Circus, so she decided to be brave and do an entire episode about the best-selling fantasy novel by Erin Morgenstern. Why brave? Well because sometimes it's hard to think critically about something you love! We all know that. ;) This episode, Marcelle leads us through a quick chat about how the book was set up for success in 2011, followed by some theory about reading ecosystems from Book Was There: Reading in Electronic Times by Andrew Piper. And then, of course, she applies her brilliant mind to a brilliant thesis!

If you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.*

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Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.

We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.

*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.

Music Credits:

“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020

Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

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