Artwork

Contenu fourni par Human Rights Centre - UGent. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Human Rights Centre - UGent ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Player FM - Application Podcast
Mettez-vous hors ligne avec l'application Player FM !

Re-imagining Memorialization and Documentation in Afghanistan

28:56
 
Partager
 

Manage episode 429202767 series 3344775
Contenu fourni par Human Rights Centre - UGent. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Human Rights Centre - UGent ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

The new miniseries of the Justice Visions podcast focuses on the current debates and discussions surrounding memory and memorialization. In this third episode of the miniseries, we shed a light on memorialization and documentation efforts in Afghanistan, and reflect on the merits of arts-based approaches, as well as the challenges posed by such approaches.
Sophia Bijleveld Milosevic is a member of AHRDO, an Afghan human rights organization that uses a transformative, victim-oriented approach. Their work aims to document human rights violations for judicial purposes while also telling victims' stories in a way that reflects their lived experiences, among others via art-based approaches. Through the Memory Box initiative, AHRDO collected over 15.000 personal items of war victims, creating a space for individual and collective memorialization in Afghanistan. "We felt it was important to continue to share these testimonies and to continue to advocate for victims", states Sophia. "In the Afghan context, memorialization can be considered as a form of symbolic reparation and a way of acknowledging the stories of the victims." To leverage their expertise in documentation, and launch an online platform, AHRDO partnered with HURIDOCS.
HURIDOCS is an organization specializing in archival and documentation practices in the domain of human Rights. Its documentalist, Bono Olgado talks about how the victim-centred and arts-based practices of AHRDO challenged his organization to revisit its existing archival practice, and how memory and memorialization are understood. "When we are talking about creating a platform or a database that would reflect these art-based approaches, then we would need a different form of expertise, which is quite challenging because we're technically creating counter-epistemologies to existing practises of documentation." Initiatives such as the Memory Box and art-based methodologies, Bono stresses, reconfigure our understanding of documentation and data. "The challenge is to design technologies that actually support this new set of methodologies as opposed to flattening them."

  continue reading

45 episodes

Artwork
iconPartager
 
Manage episode 429202767 series 3344775
Contenu fourni par Human Rights Centre - UGent. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Human Rights Centre - UGent ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

The new miniseries of the Justice Visions podcast focuses on the current debates and discussions surrounding memory and memorialization. In this third episode of the miniseries, we shed a light on memorialization and documentation efforts in Afghanistan, and reflect on the merits of arts-based approaches, as well as the challenges posed by such approaches.
Sophia Bijleveld Milosevic is a member of AHRDO, an Afghan human rights organization that uses a transformative, victim-oriented approach. Their work aims to document human rights violations for judicial purposes while also telling victims' stories in a way that reflects their lived experiences, among others via art-based approaches. Through the Memory Box initiative, AHRDO collected over 15.000 personal items of war victims, creating a space for individual and collective memorialization in Afghanistan. "We felt it was important to continue to share these testimonies and to continue to advocate for victims", states Sophia. "In the Afghan context, memorialization can be considered as a form of symbolic reparation and a way of acknowledging the stories of the victims." To leverage their expertise in documentation, and launch an online platform, AHRDO partnered with HURIDOCS.
HURIDOCS is an organization specializing in archival and documentation practices in the domain of human Rights. Its documentalist, Bono Olgado talks about how the victim-centred and arts-based practices of AHRDO challenged his organization to revisit its existing archival practice, and how memory and memorialization are understood. "When we are talking about creating a platform or a database that would reflect these art-based approaches, then we would need a different form of expertise, which is quite challenging because we're technically creating counter-epistemologies to existing practises of documentation." Initiatives such as the Memory Box and art-based methodologies, Bono stresses, reconfigure our understanding of documentation and data. "The challenge is to design technologies that actually support this new set of methodologies as opposed to flattening them."

  continue reading

45 episodes

كل الحلقات

×
 
Loading …

Bienvenue sur Lecteur FM!

Lecteur FM recherche sur Internet des podcasts de haute qualité que vous pourrez apprécier dès maintenant. C'est la meilleure application de podcast et fonctionne sur Android, iPhone et le Web. Inscrivez-vous pour synchroniser les abonnements sur tous les appareils.

 

Guide de référence rapide