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Manage episode 409906883 series 3303767
Contenu fourni par Jizz Talking. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Jizz Talking ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Manage episode 409906883 series 3303767
Contenu fourni par Jizz Talking. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Jizz Talking ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Our most valuable player this year so far has to be Mallory Knight! Our scheduled guest didn't realize that 3/31/2024 was Easter, so Mallory stepped up from a recommendation from Fallon Jane -- which we appreciate! We talked to her about her career and where she sees herself down the road. We do give her a bit of crap for being in Hawaii at this time and missing Chicago Exxxotica 2024. Lorenzo joins us and adds a bit of insight as well.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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