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EP44 T. Graham Brown

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Manage episode 265647934 series 2402045
Contenu fourni par In Session with Darren Walters Podcast and Darren Walters. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par In Session with Darren Walters Podcast and Darren Walters ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
It was one of the most vibrant and exciting time periods in Country Music history – the mid-1980s. A new and exciting crop of talents were springing up all over the place. Brown’s initial entry to Country Radio was the sad and soulful “Drowning In Memories.” That Top-40 single helped him to establish himself, and by the winter of 1986, he had warmed up to audiences with the bluesy hit “I Tell It Like It Used To Be.” Other hits quickly followed, with his first self-penned release “Hell And High Water,” which became his first number one song. “I Wish That I Could Hurt That Way Again” and “Don’t Go To Strangers” were the next releases, which all became chart-toppers. His audiences continued to make him a radio favorite as he continued to amass more hits like “Darlene,” the smash duet “Don’t Go Out” with Tanya Tucker, and the regret-filled “If You Could Only See Me Now.” At the same time his singles were climbing the charts, T.’s powerful voice could also be heard on radio and television. His sense of style provided the platform for a successful series of cameos in commercials for international brands such as Coca-Cola, Harrah’s Casino, Burger King, and Taco Bell. It’s his work with the popular Mexican eatery that he is perhaps best known, with a series of commercials under the mantra “Run For The Border,” a campaign that lasted four years. Brown says it was an exciting time – and one where he ate more than his share of Meximelts and Nachos Bell Grande dishes!
  continue reading

78 episodes

Artwork
iconPartager
 
Manage episode 265647934 series 2402045
Contenu fourni par In Session with Darren Walters Podcast and Darren Walters. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par In Session with Darren Walters Podcast and Darren Walters ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
It was one of the most vibrant and exciting time periods in Country Music history – the mid-1980s. A new and exciting crop of talents were springing up all over the place. Brown’s initial entry to Country Radio was the sad and soulful “Drowning In Memories.” That Top-40 single helped him to establish himself, and by the winter of 1986, he had warmed up to audiences with the bluesy hit “I Tell It Like It Used To Be.” Other hits quickly followed, with his first self-penned release “Hell And High Water,” which became his first number one song. “I Wish That I Could Hurt That Way Again” and “Don’t Go To Strangers” were the next releases, which all became chart-toppers. His audiences continued to make him a radio favorite as he continued to amass more hits like “Darlene,” the smash duet “Don’t Go Out” with Tanya Tucker, and the regret-filled “If You Could Only See Me Now.” At the same time his singles were climbing the charts, T.’s powerful voice could also be heard on radio and television. His sense of style provided the platform for a successful series of cameos in commercials for international brands such as Coca-Cola, Harrah’s Casino, Burger King, and Taco Bell. It’s his work with the popular Mexican eatery that he is perhaps best known, with a series of commercials under the mantra “Run For The Border,” a campaign that lasted four years. Brown says it was an exciting time – and one where he ate more than his share of Meximelts and Nachos Bell Grande dishes!
  continue reading

78 episodes

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