In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenu fourni par HeadStuff Podcasts. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par HeadStuff Podcasts ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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#141 | Sarah Glennane | CEO The Screen Composers Guild of Ireland
Manage episode 290975296 series 2284297
Contenu fourni par HeadStuff Podcasts. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par HeadStuff Podcasts ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
A little later than billed. On this episode of Fni Wrapchat, PBL @paulblennox is joined by Sarah Glennane, CEO of the Screen Composers Guild of Ireland.
In the first of a few Chats with the various Film and TV Guilds and organisations, We talk the importance of Sound and Composition in Film, TV and Advertising at all levels. Why it should be treated with respect and how the ingredients of an overall project can be tainted when you skimp on original musical content. Original work vrs Stock library and how price dumping and reduction in budget in post ultimately has implications on the overall integrity of the artistic endeavour.
Sarah is a music professional in her own right with many years experience working in performance and recording music sector and in music for screen. In 2017 Sarah authored An Examination of the Music for film & TV Sector in Ireland report for IMRO/ MCPS Ireland and from this was instrumental in the setting up of the SCGI.
Sarah holds a BSc in Marketing with special interest in Marketing the Arts and a certificate in Music Supervision from Beklee College of Music, online.
If you enjoy our show, share with a friend or Subscribe for notifications on Spotify, Google Podcasts, and Apple Podcasts.
PLEASE Support us by becoming a member of Fni on www.BuyMeACoffee.com/fni
Get ahead of the pack as we're shortly announcing a membership programme for members on Buy Me A Coffee.
Or... you can support WRAPCHAT by joining Headstuff+ on HeadstuffPodcasts.com
#WeAreFni #YouAreFni
…
continue reading
In the first of a few Chats with the various Film and TV Guilds and organisations, We talk the importance of Sound and Composition in Film, TV and Advertising at all levels. Why it should be treated with respect and how the ingredients of an overall project can be tainted when you skimp on original musical content. Original work vrs Stock library and how price dumping and reduction in budget in post ultimately has implications on the overall integrity of the artistic endeavour.
Sarah is a music professional in her own right with many years experience working in performance and recording music sector and in music for screen. In 2017 Sarah authored An Examination of the Music for film & TV Sector in Ireland report for IMRO/ MCPS Ireland and from this was instrumental in the setting up of the SCGI.
Sarah holds a BSc in Marketing with special interest in Marketing the Arts and a certificate in Music Supervision from Beklee College of Music, online.
If you enjoy our show, share with a friend or Subscribe for notifications on Spotify, Google Podcasts, and Apple Podcasts.
PLEASE Support us by becoming a member of Fni on www.BuyMeACoffee.com/fni
Get ahead of the pack as we're shortly announcing a membership programme for members on Buy Me A Coffee.
Or... you can support WRAPCHAT by joining Headstuff+ on HeadstuffPodcasts.com
#WeAreFni #YouAreFni
Learn more about your ad choices. Visit megaphone.fm/adchoices
205 episodes
Partager
Manage episode 290975296 series 2284297
Contenu fourni par HeadStuff Podcasts. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par HeadStuff Podcasts ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
A little later than billed. On this episode of Fni Wrapchat, PBL @paulblennox is joined by Sarah Glennane, CEO of the Screen Composers Guild of Ireland.
In the first of a few Chats with the various Film and TV Guilds and organisations, We talk the importance of Sound and Composition in Film, TV and Advertising at all levels. Why it should be treated with respect and how the ingredients of an overall project can be tainted when you skimp on original musical content. Original work vrs Stock library and how price dumping and reduction in budget in post ultimately has implications on the overall integrity of the artistic endeavour.
Sarah is a music professional in her own right with many years experience working in performance and recording music sector and in music for screen. In 2017 Sarah authored An Examination of the Music for film & TV Sector in Ireland report for IMRO/ MCPS Ireland and from this was instrumental in the setting up of the SCGI.
Sarah holds a BSc in Marketing with special interest in Marketing the Arts and a certificate in Music Supervision from Beklee College of Music, online.
If you enjoy our show, share with a friend or Subscribe for notifications on Spotify, Google Podcasts, and Apple Podcasts.
PLEASE Support us by becoming a member of Fni on www.BuyMeACoffee.com/fni
Get ahead of the pack as we're shortly announcing a membership programme for members on Buy Me A Coffee.
Or... you can support WRAPCHAT by joining Headstuff+ on HeadstuffPodcasts.com
#WeAreFni #YouAreFni
…
continue reading
In the first of a few Chats with the various Film and TV Guilds and organisations, We talk the importance of Sound and Composition in Film, TV and Advertising at all levels. Why it should be treated with respect and how the ingredients of an overall project can be tainted when you skimp on original musical content. Original work vrs Stock library and how price dumping and reduction in budget in post ultimately has implications on the overall integrity of the artistic endeavour.
Sarah is a music professional in her own right with many years experience working in performance and recording music sector and in music for screen. In 2017 Sarah authored An Examination of the Music for film & TV Sector in Ireland report for IMRO/ MCPS Ireland and from this was instrumental in the setting up of the SCGI.
Sarah holds a BSc in Marketing with special interest in Marketing the Arts and a certificate in Music Supervision from Beklee College of Music, online.
If you enjoy our show, share with a friend or Subscribe for notifications on Spotify, Google Podcasts, and Apple Podcasts.
PLEASE Support us by becoming a member of Fni on www.BuyMeACoffee.com/fni
Get ahead of the pack as we're shortly announcing a membership programme for members on Buy Me A Coffee.
Or... you can support WRAPCHAT by joining Headstuff+ on HeadstuffPodcasts.com
#WeAreFni #YouAreFni
Learn more about your ad choices. Visit megaphone.fm/adchoices
205 episodes
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Similaire à FNI Wrap Chat
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
Determining if all these so called classic films are indeed just that.
…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
What To Watch is Entertainment Weekly's daily guide to the shows that should be on your radar -- be it network, cable, premium or streaming! Hosted by Gerrad Hall.
…
continue reading
Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
…
continue reading
Comedian and actor Gilbert Gottfried, a man Stephen King once called “a national treasure,” talks with the show business legends, icons and behind-the-scenes talents who shaped his childhood and influenced his comedy. Along with co-host and fellow pop culture fanatic Frank Santopadre, Gilbert is joined by comics, actors, musicians, talk show hosts, writers and other eyewitnesses to Hollywood history, including Bruce Dern, Chevy Chase, “Weird Al” Yankovic, Adam West, Steve Buscemi, Micky Dole ...
…
continue reading
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…
continue reading
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…
continue reading
The iFanboy.com Comic Book Podcast is a weekly talk show all about the best new current comic book releases. Lifelong friends, Conor Kilpatrick and Josh Flanagan talk about what they loved and (sometimes) hated in the current weekly books, from publishers like Marvel, DC, Image Comics, Dark Horse Comics, BOOM! Studios, IDW, Aftershock, Valiant, and more. The aim is to have a fun time, some laughs, but to also really understand what makes comic books work and what doesn’t, and trying to under ...
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continue reading
Player FM - Application Podcast
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