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204 - The Emmy-nominated Sound Work of Ripley

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Manage episode 434321972 series 2855714
Contenu fourni par Dolby. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Dolby ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Nominated for 13 Primetime Emmy Awards®, “Ripley,” the new Netflix limited series from creator Steven Zaillian, is a masterclass in filmmaking and the art of sound. So it’s no wonder that two of those nominations are for Outstanding Sound Editing and Sound Mixing. And it’s clear why the sound team was given so much creative freedom to explore the sonic possibilities of the show, as many of those details and nuances were written directly into the scripts, and overseen by a showrunner with a sharp attention to detail.

“Without a doubt, Steve Zaillian pays attention to every footstep and every breath and every movement.”

—Michael Barry, Re-recording Mixer, “Ripley”

Today we are joined by members of the sound team behind the show, including:

- Larry Zipf, Co-supervising Sound Editor/Sound Designer and Re-recording Mixer

- Michael Feuser, Co-supervising Sound Editor

- Michael Barry, Re-recording Mixer

- Maurizio Argentieri, Sound Mixer

NOTE: This interview contains spoilers! So be sure to check out “Ripley,” now streaming on Netflix in Dolby Vision® and Dolby Atmos®, before listening.

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode on our YouTube channel.

Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

  continue reading

216 episodes

Artwork
iconPartager
 
Manage episode 434321972 series 2855714
Contenu fourni par Dolby. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Dolby ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Nominated for 13 Primetime Emmy Awards®, “Ripley,” the new Netflix limited series from creator Steven Zaillian, is a masterclass in filmmaking and the art of sound. So it’s no wonder that two of those nominations are for Outstanding Sound Editing and Sound Mixing. And it’s clear why the sound team was given so much creative freedom to explore the sonic possibilities of the show, as many of those details and nuances were written directly into the scripts, and overseen by a showrunner with a sharp attention to detail.

“Without a doubt, Steve Zaillian pays attention to every footstep and every breath and every movement.”

—Michael Barry, Re-recording Mixer, “Ripley”

Today we are joined by members of the sound team behind the show, including:

- Larry Zipf, Co-supervising Sound Editor/Sound Designer and Re-recording Mixer

- Michael Feuser, Co-supervising Sound Editor

- Michael Barry, Re-recording Mixer

- Maurizio Argentieri, Sound Mixer

NOTE: This interview contains spoilers! So be sure to check out “Ripley,” now streaming on Netflix in Dolby Vision® and Dolby Atmos®, before listening.

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode on our YouTube channel.

Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

  continue reading

216 episodes

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