In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenu fourni par Ideabrew Studios and The Quint. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Ideabrew Studios and The Quint ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Why do Modern Films Still Use Black and White?
Manage episode 430168217 series 3399647
Contenu fourni par Ideabrew Studios and The Quint. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Ideabrew Studios and The Quint ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
In this episode of 'Do I Like It,' we explore why some films are still shot in black and white in the age of high-definition color. From the classic film noir era to contemporary examples like 'Bheed' and 'Kota Factory,' discover how black and white can give a unique visual tone and emotional depth to a film. We delve into iconic uses in 'Schindler’s List,' 'Oppenheimer,' and even Mammootty's film, 'Bramayugam.' Tune in as Prateek Lidhoo takes you through the artistic and emotional reasons behind this timeless cinematic choice. Join the conversation in the comments!
Learn more about your ad choices. Visit megaphone.fm/adchoices
167 episodes
Partager
Manage episode 430168217 series 3399647
Contenu fourni par Ideabrew Studios and The Quint. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Ideabrew Studios and The Quint ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
In this episode of 'Do I Like It,' we explore why some films are still shot in black and white in the age of high-definition color. From the classic film noir era to contemporary examples like 'Bheed' and 'Kota Factory,' discover how black and white can give a unique visual tone and emotional depth to a film. We delve into iconic uses in 'Schindler’s List,' 'Oppenheimer,' and even Mammootty's film, 'Bramayugam.' Tune in as Prateek Lidhoo takes you through the artistic and emotional reasons behind this timeless cinematic choice. Join the conversation in the comments!
Learn more about your ad choices. Visit megaphone.fm/adchoices
167 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
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continue reading
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continue reading
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continue reading
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continue reading
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