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Episode 96: Oscars Debrief 2024
Manage episode 408505326 series 1202802
Contenu fourni par Cinema in Context. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Cinema in Context ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Unpacking the Academy Awards. Sarah Watt, Jeremy Downing and William Chen discuss the 96th Academy Awards ceremony. We begin by talking about the presentation of the ceremony itself. Our conversation moves to the Best Picture category and we consider Oppenheimer, Zone of Interest, American Fiction and The Holdovers. We discuss the Sound category and the skill of how The Zone of Interest was put together. We move into a conversation about Poor Things, including the performance of Emma Stone, the design elements in the film and the politics of the script. We talk through a range of smaller categories and touch on Maestro, Godzilla Minus One, The Creator, and the performances of Lily Gladstone, Carey Mulligan and Sandra Hüller. We talk about the Screenplay categories, the performances of "I'm Just Ken" and "What Was I Made For", reminisce about previous ceremonies and winners, and finish by discussing the animated and documentary categories.
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Manage episode 408505326 series 1202802
Contenu fourni par Cinema in Context. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Cinema in Context ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Unpacking the Academy Awards. Sarah Watt, Jeremy Downing and William Chen discuss the 96th Academy Awards ceremony. We begin by talking about the presentation of the ceremony itself. Our conversation moves to the Best Picture category and we consider Oppenheimer, Zone of Interest, American Fiction and The Holdovers. We discuss the Sound category and the skill of how The Zone of Interest was put together. We move into a conversation about Poor Things, including the performance of Emma Stone, the design elements in the film and the politics of the script. We talk through a range of smaller categories and touch on Maestro, Godzilla Minus One, The Creator, and the performances of Lily Gladstone, Carey Mulligan and Sandra Hüller. We talk about the Screenplay categories, the performances of "I'm Just Ken" and "What Was I Made For", reminisce about previous ceremonies and winners, and finish by discussing the animated and documentary categories.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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continue reading
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