In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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#16 It Comes At Night — Most divisive film of the year?
Manage episode 183930648 series 1202785
Contenu fourni par Cine Pile Podcast. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Cine Pile Podcast ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
We discuss "It Comes At Night" Directed by Trey Edward Shults. A part of our discussion is not only the film it self but how marketing can sometimes create rifts with it's audience when trying to sell tickets. Our Recommendations: Cooper — http://www.imdb.com/title/tt1185616/?ref_=nv_sr_1 Neil — http://www.imdb.com/title/tt1424432/?ref_=nv_sr_1 Kyle — http://www.imdb.com/title/tt5168192/?ref_=nv_sr_1 See our other recommendations: https://letterboxd.com/CinePile/ --- Support this podcast: https://podcasters.spotify.com/pod/show/cine-pile-podcast/support
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Manage episode 183930648 series 1202785
Contenu fourni par Cine Pile Podcast. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Cine Pile Podcast ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
We discuss "It Comes At Night" Directed by Trey Edward Shults. A part of our discussion is not only the film it self but how marketing can sometimes create rifts with it's audience when trying to sell tickets. Our Recommendations: Cooper — http://www.imdb.com/title/tt1185616/?ref_=nv_sr_1 Neil — http://www.imdb.com/title/tt1424432/?ref_=nv_sr_1 Kyle — http://www.imdb.com/title/tt5168192/?ref_=nv_sr_1 See our other recommendations: https://letterboxd.com/CinePile/ --- Support this podcast: https://podcasters.spotify.com/pod/show/cine-pile-podcast/support
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
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continue reading
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…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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continue reading
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…
continue reading
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