In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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139: Biggie & Tupac (Lil' Cease, Mo Preem)
Manage episode 377841348 series 89250
Contenu fourni par Bodega Box Office. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Bodega Box Office ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
(Sorry 4 Tha Wait) We watched a documentary that made us question the nature of documentaries as an art form. Well, some of us did. Sean just loves this shit.
If you're looking for an earnest discussion about the Biggie and Tupac murder cases, there are probably other podcasts for you. If you're looking for a discussion about how sus documentaries are, especially in the hands of filmmakers with questionable ethics, then this one is for you!
This was a fun one, it was delayed while I (Ryan) dealt with a family issue. We'll resume regularly scheduled programming now.
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continue reading
If you're looking for an earnest discussion about the Biggie and Tupac murder cases, there are probably other podcasts for you. If you're looking for a discussion about how sus documentaries are, especially in the hands of filmmakers with questionable ethics, then this one is for you!
This was a fun one, it was delayed while I (Ryan) dealt with a family issue. We'll resume regularly scheduled programming now.
165 episodes
Partager
Manage episode 377841348 series 89250
Contenu fourni par Bodega Box Office. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Bodega Box Office ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
(Sorry 4 Tha Wait) We watched a documentary that made us question the nature of documentaries as an art form. Well, some of us did. Sean just loves this shit.
If you're looking for an earnest discussion about the Biggie and Tupac murder cases, there are probably other podcasts for you. If you're looking for a discussion about how sus documentaries are, especially in the hands of filmmakers with questionable ethics, then this one is for you!
This was a fun one, it was delayed while I (Ryan) dealt with a family issue. We'll resume regularly scheduled programming now.
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continue reading
If you're looking for an earnest discussion about the Biggie and Tupac murder cases, there are probably other podcasts for you. If you're looking for a discussion about how sus documentaries are, especially in the hands of filmmakers with questionable ethics, then this one is for you!
This was a fun one, it was delayed while I (Ryan) dealt with a family issue. We'll resume regularly scheduled programming now.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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continue reading
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continue reading
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