In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenu fourni par Michael Tucker. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Michael Tucker ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Manage episode 429613079 series 2482907
Contenu fourni par Michael Tucker. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Michael Tucker ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
The BTS team discusses focusing on character in a high concept blockbuster, the film’s kinetic pacing and energy, and how the tornados are depicted as an antagonistic force.
🎬 Join our community! Head to the Beyond the Screenplay Patreon: https://www.patreon.com/beyondthescreenplay
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☕️ LFTS Merch: https://standard.tv/collections/lfts
Find us on Twitter
Beyond the Screenplay: https://twitter.com/BTScreenplay
Michael Tucker: https://twitter.com/michaeltuckerla
Tricia Aurand: https://twitter.com/TriciaJeanA
Brian Bitner: https://twitter.com/BrianBitner
Alex Calleros: https://twitter.com/Alex_Calleros
Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: vincet.major@gmail.com
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Manage episode 429613079 series 2482907
Contenu fourni par Michael Tucker. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Michael Tucker ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
The BTS team discusses focusing on character in a high concept blockbuster, the film’s kinetic pacing and energy, and how the tornados are depicted as an antagonistic force.
🎬 Join our community! Head to the Beyond the Screenplay Patreon: https://www.patreon.com/beyondthescreenplay
👕 BEYOND THE SCREENPLAY MERCH https://lessons-from-the-screenplay.creator-spring.com
☕️ LFTS Merch: https://standard.tv/collections/lfts
Find us on Twitter
Beyond the Screenplay: https://twitter.com/BTScreenplay
Michael Tucker: https://twitter.com/michaeltuckerla
Tricia Aurand: https://twitter.com/TriciaJeanA
Brian Bitner: https://twitter.com/BrianBitner
Alex Calleros: https://twitter.com/Alex_Calleros
Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: vincet.major@gmail.com
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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