In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenu fourni par Carolina Groppa. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Carolina Groppa ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Rocío Jadue - Producer of Sundance Films ETERNAL MEMORY and SORCERY
Manage episode 354234199 series 3238601
Contenu fourni par Carolina Groppa. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Carolina Groppa ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
At this year’s ☀️ Sundance festival ☀️, I met a wide array of talented people. Among them is Rocío Jadue, a Chilean producer that runs the Latin-American film division at Fabula. She is best known for the film A Fantastic Woman (2018), directed by Sebastián Lelio, which won the Academy Award for Best Foreign Language Film. 🎞
Special shoutout to Maylen Calienes, founder of Latino Filmmakers Network for graciously hosting AOP at her Sundance case. Gracias amiga!
Rocío’s career at Fabula dates back to 2012 when she executive produced Pablo Larraín's No, the first Chilean film nominated for the Academy Awards. She has now worked on 20 films, such as Neruda and The Club, that have premiered in festivals like Cannes, Berlin, Venice, and Sundance.
Rocío had two incredible films premiering at this year’s festival; Eternal Memory, winner of the World Cinema Grand Jury Prize: Documentary directed by @MaiteAlberdi and director @ChristopherMurray's dark and decolonial coming-of-age tale, Sorcery.
Gems from this episode include:
-Rocío’s luck in landing her first big project, Pablo Larraín's “No,” which was nominated for an Academy Award
-Coming up in Chile’s limited film industry
-Reclaiming what it means to be a producer
99 episodes
Partager
Manage episode 354234199 series 3238601
Contenu fourni par Carolina Groppa. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Carolina Groppa ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
At this year’s ☀️ Sundance festival ☀️, I met a wide array of talented people. Among them is Rocío Jadue, a Chilean producer that runs the Latin-American film division at Fabula. She is best known for the film A Fantastic Woman (2018), directed by Sebastián Lelio, which won the Academy Award for Best Foreign Language Film. 🎞
Special shoutout to Maylen Calienes, founder of Latino Filmmakers Network for graciously hosting AOP at her Sundance case. Gracias amiga!
Rocío’s career at Fabula dates back to 2012 when she executive produced Pablo Larraín's No, the first Chilean film nominated for the Academy Awards. She has now worked on 20 films, such as Neruda and The Club, that have premiered in festivals like Cannes, Berlin, Venice, and Sundance.
Rocío had two incredible films premiering at this year’s festival; Eternal Memory, winner of the World Cinema Grand Jury Prize: Documentary directed by @MaiteAlberdi and director @ChristopherMurray's dark and decolonial coming-of-age tale, Sorcery.
Gems from this episode include:
-Rocío’s luck in landing her first big project, Pablo Larraín's “No,” which was nominated for an Academy Award
-Coming up in Chile’s limited film industry
-Reclaiming what it means to be a producer
99 episodes
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Similaire à Angle on Producers with Carolina Groppa
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
How can business help solve society’s biggest challenges? Welcome to Series 3 of Take on Tomorrow, the award-winning podcast from PwC that examines the biggest problems facing society and the role business can—and should—play in solving them. This series, we’re welcoming broadcaster and journalist Femi Oke to the show. She joins podcaster and journalist Lizzie O’Leary, and together with industry innovators, tech trailblazers and visionary leaders from around the globe, they’ll explore timely ...
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continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
Join host and Harvard Business School Online Creative Director Chris Linnane as he sits down with HBS faculty to discuss business education in a way that’s both entertaining and insightful. The Parlor Room is your key to breaking down academic theory without sacrificing depth—all while gaining practical takeaways for navigating the business world.
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
The traditional enterprise go-to-market motion is undergoing a transformational shift. B2B buyers are more sophisticated than ever, and operational efficiency is a key focus for every organization. One key function possesses a unique opportunity to shape the future of revenue generation: enablement. On this podcast, we’re bringing you the secrets, strategies, and tactics that successful enablement leaders are using to drive meaningful impact. The Enablement Edge is the go-to resource for sal ...
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