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The Return of The Clansman

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Manage episode 383045714 series 2899444
Contenu fourni par Peter Schmitz. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Peter Schmitz ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

In the fall of 1915, D.W. Griffith's The Birth of a Nation was booked to play at the Forrest Theatre - a "legitimate house," not a movie theater - but would Philadelphia's city authorities allow it to be shown?
After all, the film's racist source material, Thomas Dixon's play The Clansman, had been officially banned in the city back in 1906. But was this a "movie" or a "photo-play"? Could it be legally censored at all? How did this controversy result in plays and movies being regarded as two different types of entertainment?
There is a blog post on our website ("Birth of A Nation in the Birthplace of the Nation") to accompany this episode, which examines a 1915 newspaper ad for the film, and how the film was marketed to Philadelphians at the time.
Link is here: https://www.aithpodcast.com/blog/birth-of-a-nation-in-the-birthplace-of-the-nation/
For earlier episodes about Thomas Dixon and his play The Clansman - and how the Philadelphia African-American community organized against it in 1906 see our series "The Fight Against the Clansman" - Episodes 42, 43, and 45.
Support the show

"Adventures in Theater History: Philadelphia" the BOOK can be ordered from independent bookstores and at all online book retailers now!
To see a listing on our publisher's website: GO HERE
IF YOU LIKED THE SHOW, AND WANT TO LEAN MORE:
Our website: www.aithpodcast.com
Our email address: [email protected]
Bluesky: @aithpodcast.bsky.social
Facebook: https://www.facebook.com/AITHpodcast
Instagram: https://www.instagram.com/aithpodcast/
YouTube: @AdventuresInTheaterHistory
Support us on Patreon: https://www.patreon.com/AITHpodcast
© Podcast text copyright, Peter Schmitz. All rights reserved.

℗ All voice recordings copyright Peter Schmitz.

℗ All original music copyright Christopher Mark Colucci. Used by permission.

  continue reading

95 episodes

Artwork
iconPartager
 
Manage episode 383045714 series 2899444
Contenu fourni par Peter Schmitz. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Peter Schmitz ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

In the fall of 1915, D.W. Griffith's The Birth of a Nation was booked to play at the Forrest Theatre - a "legitimate house," not a movie theater - but would Philadelphia's city authorities allow it to be shown?
After all, the film's racist source material, Thomas Dixon's play The Clansman, had been officially banned in the city back in 1906. But was this a "movie" or a "photo-play"? Could it be legally censored at all? How did this controversy result in plays and movies being regarded as two different types of entertainment?
There is a blog post on our website ("Birth of A Nation in the Birthplace of the Nation") to accompany this episode, which examines a 1915 newspaper ad for the film, and how the film was marketed to Philadelphians at the time.
Link is here: https://www.aithpodcast.com/blog/birth-of-a-nation-in-the-birthplace-of-the-nation/
For earlier episodes about Thomas Dixon and his play The Clansman - and how the Philadelphia African-American community organized against it in 1906 see our series "The Fight Against the Clansman" - Episodes 42, 43, and 45.
Support the show

"Adventures in Theater History: Philadelphia" the BOOK can be ordered from independent bookstores and at all online book retailers now!
To see a listing on our publisher's website: GO HERE
IF YOU LIKED THE SHOW, AND WANT TO LEAN MORE:
Our website: www.aithpodcast.com
Our email address: [email protected]
Bluesky: @aithpodcast.bsky.social
Facebook: https://www.facebook.com/AITHpodcast
Instagram: https://www.instagram.com/aithpodcast/
YouTube: @AdventuresInTheaterHistory
Support us on Patreon: https://www.patreon.com/AITHpodcast
© Podcast text copyright, Peter Schmitz. All rights reserved.

℗ All voice recordings copyright Peter Schmitz.

℗ All original music copyright Christopher Mark Colucci. Used by permission.

  continue reading

95 episodes

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