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Manage episode 424713224 series 2663555
Contenu fourni par Juan Carlos Ojano. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Juan Carlos Ojano ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Manage episode 424713224 series 2663555
Contenu fourni par Juan Carlos Ojano. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Juan Carlos Ojano ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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This week's guest is Josh Parham, writer and podcaster at Next Best Picture and Awards Watch and a member of Chicago Indie Critics. He was also the guest on the episode discussing MONSIEUR VINCENT and the films of 1948.
Find us on the internet!
Josh Josh Parham: @JRParham
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The One-Inch Barrier: @OneInchBarrier
You can support CLOSING TIME's crowdfunding campaign via Indiegogo here: https://www.indiegogo.com/projects/closing-time-short-film/x/37852408#/
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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