In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenu fourni par Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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2009: (500) DAYS OF SUMMER and the Formative Power of Pop Culture
Manage episode 350169109 series 2865408
Contenu fourni par Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Through its obsession with pop culture, director Marc Webb's "(500) Days of Summer" is as much about romcoms as it is a romcom itself, full of stylistic flourishes, "Annie Hall"-like experimentation and non-linear structuring gimmicks.
In this episode, Mike and Brian discuss how that approach informs the movie's central coming-of-age themes, they talk cultural mile markers, how Webb and screenwriters Scott Neustadter and Michael H. Weber are able to make light of young love/first heartbreak without discrediting the experience and, finally, they decide whether or not this film will make their top fives of 2009.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
130 episodes
Partager
Manage episode 350169109 series 2865408
Contenu fourni par Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Through its obsession with pop culture, director Marc Webb's "(500) Days of Summer" is as much about romcoms as it is a romcom itself, full of stylistic flourishes, "Annie Hall"-like experimentation and non-linear structuring gimmicks.
In this episode, Mike and Brian discuss how that approach informs the movie's central coming-of-age themes, they talk cultural mile markers, how Webb and screenwriters Scott Neustadter and Michael H. Weber are able to make light of young love/first heartbreak without discrediting the experience and, finally, they decide whether or not this film will make their top fives of 2009.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
130 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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continue reading
Werewolf Ambulance is a horror movie comedy podcast. Allen and Katie watch horror movies from all eras and of all qualities and then discuss them in a not-so-academic way (just as the name "Werewolf Ambulance" might imply!) and then discuss and rate them. The episodes do contain spoilers, so please watch the films before listening if that bothers you!
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
…
continue reading
Otaku Spirit Animecast is a series of podcast episodes that focus on the Anime culture. Reviews, News, and tons of discussion. Stuff for all anime fans, from anime fans.
…
continue reading
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continue reading
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