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Contenu fourni par Reduced Shakespeare Company Podcast. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Reduced Shakespeare Company Podcast ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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The False Exit

21:15
 
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Série archivée ("Flux inactif" status)

When? This feed was archived on August 01, 2022 08:09 (1+ y ago). Last successful fetch was on June 30, 2022 10:18 (2y ago)

Why? Flux inactif status. Nos serveurs ont été incapables de récupérer un flux de podcast valide pour une période prolongée.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 301220693 series 2354249
Contenu fourni par Reduced Shakespeare Company Podcast. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Reduced Shakespeare Company Podcast ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Barbara Wallace, who, along with her writing partner Thomas R. Wolfe created the TV series Welcome To New York (starring Christine Baranski and Rocky Carroll), talks about one of her biggest pet peeves, an almost indefinable bit of stage business that always feels forced (and is not to be confused with an actual exit). Barb also discusses her creative journey from sketch comedy in Chicago to writing and creating TV series in both Hollywood and New York. Featuring: whether or not actors should be allowed to breathe; conflicting definitions of “hugely successful;” the importance of writing the best thing you can, not what you think people will like; fighting for gender parity at Second City in the early 1990s; the mixed benefits of multiple streaming platforms; getting close enough to the glass ceiling to fog it up but not break it; the joys of working with TV legend Christine Baranski; and finally, the ABCs of surviving in showbiz – Always Be Creating your own content. (Length 21:15)

The post The False Exit appeared first on Reduced Shakespeare Company.

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219 episodes

Artwork

The False Exit

Reduced Shakespeare Company Podcast

85 subscribers

published

iconPartager
 

Série archivée ("Flux inactif" status)

When? This feed was archived on August 01, 2022 08:09 (1+ y ago). Last successful fetch was on June 30, 2022 10:18 (2y ago)

Why? Flux inactif status. Nos serveurs ont été incapables de récupérer un flux de podcast valide pour une période prolongée.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 301220693 series 2354249
Contenu fourni par Reduced Shakespeare Company Podcast. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Reduced Shakespeare Company Podcast ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Barbara Wallace, who, along with her writing partner Thomas R. Wolfe created the TV series Welcome To New York (starring Christine Baranski and Rocky Carroll), talks about one of her biggest pet peeves, an almost indefinable bit of stage business that always feels forced (and is not to be confused with an actual exit). Barb also discusses her creative journey from sketch comedy in Chicago to writing and creating TV series in both Hollywood and New York. Featuring: whether or not actors should be allowed to breathe; conflicting definitions of “hugely successful;” the importance of writing the best thing you can, not what you think people will like; fighting for gender parity at Second City in the early 1990s; the mixed benefits of multiple streaming platforms; getting close enough to the glass ceiling to fog it up but not break it; the joys of working with TV legend Christine Baranski; and finally, the ABCs of surviving in showbiz – Always Be Creating your own content. (Length 21:15)

The post The False Exit appeared first on Reduced Shakespeare Company.

  continue reading

219 episodes

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