In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Olivier Assayas, post-punk cinephile filmmaker
MP3•Maison d'episode
Manage episode 212055387 series 2391738
Contenu fourni par TIFF UNCUT and TIFF (Toronto International Film Festival). Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par TIFF UNCUT and TIFF (Toronto International Film Festival) ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
This week on TIFF UN/CUT, hear a master class from the subject of a current retrospective. Something in the Air: The Cinema of Olivier Assayas traces the French auteur’s eclectic catalogue, from his early music videos for electro-pop stars Jacno and Winston Tong, to his documentary portrait of Taiwanese director Hou Hsiao-hsien, to his brilliant work in narrative film and his recent career-high collaborations with Kristen Stewart on CLOUDS OF SILS MARIA and PERSONAL SHOPPER, which have brought him even greater acclaim and a whole new audience. This week, you can catch Assayas’ first feature DISORDER, a portrait of France’s mid-’80s post-punk scene (and undoubtedly, a Joy Division reference), as well as his 2002 cyberthriller DEMONLOVER (which sports a score by Sonic Youth!). At the 2012 Toronto International Film Festival, where Assayas presented his film SOMETHING IN THE AIR — a youthful and semi-autobiographical portrait of young political activists living in a Parisian suburb in the early ‘70s — the director also participated in an onstage master class moderated by Brad Deane, Senior Manager of TIFF Cinematheque and programmer of the current Assayas retrospective. You’ll hear how Olivier’s screenwriter father made him think twice about making movies early on in his career, which Bresson films blew his mind, and why he never intended to be a film critic for Cahiers du Cinéma.
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89 episodes
MP3•Maison d'episode
Manage episode 212055387 series 2391738
Contenu fourni par TIFF UNCUT and TIFF (Toronto International Film Festival). Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par TIFF UNCUT and TIFF (Toronto International Film Festival) ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
This week on TIFF UN/CUT, hear a master class from the subject of a current retrospective. Something in the Air: The Cinema of Olivier Assayas traces the French auteur’s eclectic catalogue, from his early music videos for electro-pop stars Jacno and Winston Tong, to his documentary portrait of Taiwanese director Hou Hsiao-hsien, to his brilliant work in narrative film and his recent career-high collaborations with Kristen Stewart on CLOUDS OF SILS MARIA and PERSONAL SHOPPER, which have brought him even greater acclaim and a whole new audience. This week, you can catch Assayas’ first feature DISORDER, a portrait of France’s mid-’80s post-punk scene (and undoubtedly, a Joy Division reference), as well as his 2002 cyberthriller DEMONLOVER (which sports a score by Sonic Youth!). At the 2012 Toronto International Film Festival, where Assayas presented his film SOMETHING IN THE AIR — a youthful and semi-autobiographical portrait of young political activists living in a Parisian suburb in the early ‘70s — the director also participated in an onstage master class moderated by Brad Deane, Senior Manager of TIFF Cinematheque and programmer of the current Assayas retrospective. You’ll hear how Olivier’s screenwriter father made him think twice about making movies early on in his career, which Bresson films blew his mind, and why he never intended to be a film critic for Cahiers du Cinéma.
…
continue reading
89 episodes
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