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Danez Smith : Bluff

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Manage episode 449118532 series 3537482
Contenu fourni par David Naimon, Tin House Books, David Naimon, and Tin House Books. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par David Naimon, Tin House Books, David Naimon, and Tin House Books ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Danez Smith’s poetry is so many things, a poetry of resistance, of elegy, of joy, of care, of repair. Their poetry is Afrofuturist and Afropessimist. It’s nature poetry, decolonial poetry, queer poetry, a poetry that is archival and documentary. And it is also a poetry that questions poetry itself and even more so, questions the poet, a poetry that is continually in the process of self-remaking and unmaking, of forging and severing allegiances, a shapeshifting poetry, a poetry of mutual aid, a poetry reaching toward, and already singing from, an elsewhere and an otherwise. Nam Le for the New Your Times, speaking of Smith’s new book Bluff, doesn’t just suggest that this book is a major turning point for the poet, a volta within this poet’s evolution, but also suggests that Danez’s volta might also represent a turning point for American poetry at large. This twinning, of the self that is Danez to the poetry collective, feels prescient, as their poetry contains so much, and so much powerful self-examination, that it becomes an examination of all of us, for all of us, of what it means to be an “I” and what it means to be a “we.” Who better to lead us through than a poet like this?

For the bonus audio archive, Danez contributes something really special for us. As one of the six members of the Dark Noise Collective (along with Fatimah Asghar, Aaron Samuels, Franny Choi, Nate Marshall, and Jamila Woods), Danez reads a favorite poem from each of their five peers and follows each reading with a writing prompt designed for us and related to the poem just read. After five poems and five writing prompts, Danez reads a poem of their own too. This joins an ever-growing archive of supplemental material from Ross Gay reading Jean Valentine to Dionne Brand reading Christina Sharpe to Nikky Finney reading from the diaries of Lorraine Hansberry. To learn how to subscribe to the bonus audio and about all the other possible benefits of joining the Between the Covers community as a listener-supporter head over to the show’s Patreon page.

Finally, here is the BookShop for today.

The post Danez Smith : Bluff appeared first on Tin House.

  continue reading

300 episodes

Artwork
iconPartager
 
Manage episode 449118532 series 3537482
Contenu fourni par David Naimon, Tin House Books, David Naimon, and Tin House Books. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par David Naimon, Tin House Books, David Naimon, and Tin House Books ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.

Danez Smith’s poetry is so many things, a poetry of resistance, of elegy, of joy, of care, of repair. Their poetry is Afrofuturist and Afropessimist. It’s nature poetry, decolonial poetry, queer poetry, a poetry that is archival and documentary. And it is also a poetry that questions poetry itself and even more so, questions the poet, a poetry that is continually in the process of self-remaking and unmaking, of forging and severing allegiances, a shapeshifting poetry, a poetry of mutual aid, a poetry reaching toward, and already singing from, an elsewhere and an otherwise. Nam Le for the New Your Times, speaking of Smith’s new book Bluff, doesn’t just suggest that this book is a major turning point for the poet, a volta within this poet’s evolution, but also suggests that Danez’s volta might also represent a turning point for American poetry at large. This twinning, of the self that is Danez to the poetry collective, feels prescient, as their poetry contains so much, and so much powerful self-examination, that it becomes an examination of all of us, for all of us, of what it means to be an “I” and what it means to be a “we.” Who better to lead us through than a poet like this?

For the bonus audio archive, Danez contributes something really special for us. As one of the six members of the Dark Noise Collective (along with Fatimah Asghar, Aaron Samuels, Franny Choi, Nate Marshall, and Jamila Woods), Danez reads a favorite poem from each of their five peers and follows each reading with a writing prompt designed for us and related to the poem just read. After five poems and five writing prompts, Danez reads a poem of their own too. This joins an ever-growing archive of supplemental material from Ross Gay reading Jean Valentine to Dionne Brand reading Christina Sharpe to Nikky Finney reading from the diaries of Lorraine Hansberry. To learn how to subscribe to the bonus audio and about all the other possible benefits of joining the Between the Covers community as a listener-supporter head over to the show’s Patreon page.

Finally, here is the BookShop for today.

The post Danez Smith : Bluff appeared first on Tin House.

  continue reading

300 episodes

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