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Contenu fourni par Jazz Legends. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Jazz Legends ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
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Jazz Legends
Tout marquer comme (non) lu
Manage series 3551386
Contenu fourni par Jazz Legends. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Jazz Legends ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Conversations about the all-time jazz legends from local jazz legends Gunnar Biggs, Keith Bishop, Joey Carano, Leonard Thompson, and Bob Weller. Soak in their stories and expertise as they prep for their Sunday night shows at St. Michael’s-by-the-Sea in Carlsbad, California.
…
continue reading
52 episodes
Tout marquer comme (non) lu
Manage series 3551386
Contenu fourni par Jazz Legends. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Jazz Legends ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Conversations about the all-time jazz legends from local jazz legends Gunnar Biggs, Keith Bishop, Joey Carano, Leonard Thompson, and Bob Weller. Soak in their stories and expertise as they prep for their Sunday night shows at St. Michael’s-by-the-Sea in Carlsbad, California.
…
continue reading
52 episodes
כל הפרקים
×[Note: Stay tuned at the end for some music from the band!] Thomas “Fats” Waller (born May 21, 1904) grew up the son of a preacher in the vibrant musical community of Harlem. He played the organ for his dad’s church as a child, with the organ pumped for him by Adam Clayton Powell, Sr. His prodigious keyboard abilities were soon encouraged by many of the lions of stride piano in the neighborhood, who bought him his first pairs of long pants so he could attend their “cutting” sessions and benefit from their experience and tutelage. From an early age, he started performing his original piano compositions, soon adding his idiosyncratic vocals as well. He became a well-loved entertainer, in addition to adding a number of compositions that have become standard repertoire in the great American songbook. He is often credited with composing the first jazz waltz, Jitterbug Waltz.…
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Jazz Legends

It’s impossible to overestimate the impact that Edward Kennedy “Duke” Ellington (born April 29, 1899) had on jazz and indeed the world of music in general. Even if his myriad contributions to the Great American Songbook were his only accomplishment, he would be one of its most hallowed creators, but his legacy is far more sweeping. He managed to field an orchestra for several decades consisting of totally unique musical personalities for which he tailored new compositions to feature their individual and combined strengths in a way that was completely original and influenced literally everything that came after him.…
Herbie Hancock, born April 12, 1940, is one of the most influential pianists and composers in jazz. He first rose to prominence with trumpeter Donald Byrd and later revolutionized jazz itself with Miles Davis, and pop music with his headhunters and rockit bands. He remains a big influence on younger players to this day, now an elder statesman of the music.…
Victor Feldman is considered the finest all-around jazz musician ever to come from Great Britain. He was born on April 7, 1934, and was performing on stage playing the drums with Glenn Miller’s band at the age of six. Glenn Miller called Feldman “The greatest young percussionist ever created.” He was featured in several motion pictures and on the BBC. Since his arrival in the United States, he recorded over twenty albums and a video music lesson. Over a hundred of his compositions have been recorded, including the instantly recognizable jazz classics “Seven Steps To Heaven” and “Joshua,” made famous by Miles Davis and recorded and performed by thousands of artists worldwide.…
Pianist/composer Cedar Walton (born January 17, 1934) first rose to prominence with drummer Art Blakey’s band and his own groups featured his original compositional voice for decades: fresh original takes on the hard bop style he came up in. Many of his tunes have become jazz standards.
Saxophonist and jazz composer Benny Golson (born January 25, 1929) was one of jazz’s senior statesmen, passing away last year at the age of 95. He was one of the last surviving subjects of the well known photograph “A Great Day in Harlem”, which was featured in the film “The Terminal” (2004) which also featured a cameo by Golson himself. He penned a number of compositions which have become well loved jazz standards.…
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Jazz Legends

Songwriter Jimmy Van Heusen (born Edward Chester Babcock on January 26, 1913) picked his professional name inspired by the shirt company. In the course of his career, he won an Emmy and four Academy Awards for best song. Many of his tunes have become beloved jazz standards over the years.
Songwriter Harry Warren (born Salvatore Antonio Guaragna on December 24, 1893) was the first major American songwriter to write primarily for film. In the course of his long career he was nominated for 11 Oscars for Best Song and won three times. In a career that lasted over sixty years, he composed over eight hundred songs and were featured in over three hundred films.…
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Jazz Legends

The band talks about celebrating New Orleans and Mardi Gras and the city’s great musical traditions.
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Jazz Legends

The band is back! This Sunday at the "Unchained Melodies" show, the Evensong Quintet is playing a live recording concert of tunes in the public domain. Many of the best songwriters of the “Tin Pan Alley” era wrote some of their most enduring songs during the late 1920s, and many of these songs fall into public domain this year. Jazz musicians have long favored the work of these giants: George Gershwin, Cole Porter, Fats Waller, Irving Berlin, Hoagy Carmichael to name a few. For generations, big corporations have controlled the performance rights to this material, now these national treasures are free to be performed and recorded without restrictions.…
As they prep for the annual Jazz Family Christmas show, the band talks Christmas tunes and jazz influence in classic favorites. The podcast is taking a break for the holidays and will return next year! Enjoying the show? Help keep it going by donating here.
Pianist/composer McCoy Tyner (born December 11, 1938) was the youngest member of the earth-shattering John Coltrane Quartet and went on to be a major innovator on his instrument, influencing a whole generation of pianists with his rhythmic and harmonically dense approach to the instrument. He has been recognized with an NEA jazz master award and five Grammy awards. His music is as important in many ways as Coltrane’s, and his musical vocabulary has touched virtually every musician that’s come after him. Enjoying the show? Help keep it going by donating here.…
Composer/arranger/pianist Billy Strayhorn (born November 29, 1915) was a true genius in his own right, though often referred to as Duke Ellington’s alter ego, he was so much more than that. A gay man in in an era when that was even more of an onus than it is now, Ellington made it possible for Strayhorn to create and thrive in spite of societal constraints, clearly he recognized Strayhorn’s unique genius, and the two had a symbiotic relationship for most of Strayhorn’s too brief life. His compositions are all a reflection of his personal approach to harmony and melodic development, his early composition Lush Life, for example: written while still a teenager in Pittsburgh, in both words and music showcase a sophistication that staggers the imagination. Enjoying the show? Help keep it going by donating here.…
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Jazz Legends

Pianist/composer Dave Brubeck and Alto Saxophonist Paul Desmond are enshrined in jazz history as the most prominent voices of the popular Dave Brubeck quartet. This group cast an outsized shadow over the jazz scene of the 1950’s and 1960’s, Desmond’s composition "Take Five" is one of the most beloved jazz compositions of all time and was the biggest hit the quartet ever had. Brubeck incorporated diverse musical influences, including that of French composer Darius Milhaud to fashion a style that incorporated odd rhythmic meters and polytonality into a fusion that predated the “third stream” movement. Desmond is perhaps the most influential voice on his instrument since Charlie Parker, he was famously quoted as saying his lyrical, pure sound on the instrument was a result of his wanting to sound like a “dry martini". His series of recordings with guitarist Jim Hall are masterpieces of melodic inventiveness, a testament to his spare, beautiful voice as both composer and performer. Enjoying the show? Help keep it going by donating here.…
Saxophonist/composer Phil Woods (born Nov 2, 1931), is by many musicians considered the major exponent of the alto saxophone for the past sixty years. His big, commanding sound, strong sense of swing, and command of harmony are second to none. His playing is totally distinctive and immediately recognizable. He may be best known to the average listener as the saxophone soloist on the Billy Joel hit, Just the Way You Are, but he can be heard on recordings with Steely Dan and other pop acts, but his real musical personality is as a pure bebopper, indeed, he kept a pure jazz group working under his leadership for the last 25 years of his life, with the same bassist (Steve Gilmore) and drummer (Bill Goodwin) the entire time. Enjoying the show? Help keep it going by donating here.…
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