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We Have The Receipts


1 Love Is Blind Season 9: Risky Business with Sparkle Megan and Courtney Revolution 1:02:08
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Buckle up because we're diving into Season 9 of Love Is Blind (minus the weddings, we're not dishing on that... yet). Courtney Revolution (The Circle) and podcast host Chris Burns are breaking down every cringey moment, every red flag, and every ounce of dirty talk that had us asking, “did they really just say that.” Megan Walerius dishes on her Sparkle Megan nickname, the chicken smoothie that haunts our dreams, and what happened when she met Jordan’s child, Luca. This is a special VIDEO episode, so go watch this on YouTube at www.youtube.com/@stillwatchingnetflix Leave us a voice message at www.speakpipe.com/WeHaveTheReceipts Text us at (929) 487-3621 DM Chris @PhatCarrieBradshaw on Instagram Follow We Have The Receipts wherever you listen, so you never miss an episode. Listen to more from Netflix Podcasts.…
The Bright Wall/Dark Room Podcast
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Contenu fourni par Bright Wall/Dark Room. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Bright Wall/Dark Room ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
A podcast from Bright Wall/Dark Room, engaging with the business of being alive, one movie at a time. Hosted by Veronica Fitzpatrick & Chad Perman.
73 episodes
Tout marquer comme (non) lu
Manage series 2951656
Contenu fourni par Bright Wall/Dark Room. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par Bright Wall/Dark Room ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
A podcast from Bright Wall/Dark Room, engaging with the business of being alive, one movie at a time. Hosted by Veronica Fitzpatrick & Chad Perman.
73 episodes
Tous les épisodes
×Happy 30th birthday to David Fincher’s Seven (1995). Joining us to celebrate is special guest Adam Nayman , Toronto-based critic, lecturer, and author of, among other books, David Fincher: Mind Games (2021). We get into: boy movies, the intersections of art and trash, Fincher as mad designer and marketing guru, Veronica can’t do math, canceling Det. Mills, how a spark of ambiguity can incite a book-length study, the undersung editing of Richard Francis-Bruce, the undersung producing prowess of Michael De Luca, what is and is not in the box, and more. References: Tony Zhou on David Fincher (“And the Other Way is Wrong”) , Richard Dyer’s BFI book for Seven , and of course, Adam’s terrific book on Fincher, Mind Games , from Little White Lies/Abrams Books . The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman , and produced by Eli Sands . Our theme music is composed by Chad. Find all 142 issues of Bright Wall/Dark Room at brightwalldarkroom.com, and please consider subscribing to the site, which directly helps support this show! We welcome feedback, inquiries, and sponsorship opportunities at podcast@brightwalldarkroom.com .…
Hello, champagne. This month we welcome back to the podcast Michael Koresky ( listen here to his first visit, discussing A.I.: Artificial Intelligence ). Michael is MoMI’s senior curator of film, Reverse Shot ’s co-founder and editor, and the author of Sick and Dirty: Hollywood’s Gay Golden Age and the Making of Modern Queerness , out now from Bloomsbury. Michael joins us to talk about a film from that book, Alfred Hitchcock’s Rope (1948) , the ‘perfect murder’ cocktail thriller best known for its deceptive formal gambit (shot continuously with “no” cuts) and spectral queerness. We get into: ways around the Production Code, that Technicolor sunset, Farley Granger’s offscreen persona, Hitchcock’s lost Holocaust doc, the film version of trompe l’oeil, teaching classical Hollywood in a contemporary classroom, the lesser-seen These Three (1936) and Crossfire (1947), and more. *** The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman , produced by Eli Sands , and edited by Buczar . Our theme music is composed by Chad. You can read all 141 issues of Bright Wall/Dark Room— including our current Jonathan Demme issue !—at brightwalldarkroom.com . Feedback and/or sponsorship inquiries: podcast@brightwalldarkroom.com .…
For a taste of summertime sadness, we look at a pick from curator Christos Nikou ( Apples [2020] and Fingernails [2023]): Mike Mills’s semi-autobiographical bleak comedy Beginners (2010). We get into the film’s tonality of “melancholic smile,” non-human actors, is this Mills’s All Fours ?, Christopher Plummer’s silent expressivity (and “ascot game”), aging out of the gay bar, and nightclub as metaphor for life. -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman , and produced by Eli Sands . Our theme music is composed by Chad. This episode is sponsored by Galerie, a new kind of film club. Discover more at Galerie.com .…

1 Mission: Impossible – The Final Reckoning (with Bilge Ebiri) 1:14:08
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Your mission, should you choose to accept it: Bilge Ebiri —the man, the myth, the legend—joins us to bookend our discussion of all things Mission: Impossible from a couple of summers ago , on the occasion of the final (?) film of a nearly 30 year franchise. We get into: the perils of Cruise-dom, building an extension on a plane you've already built, Luther!, missing Rebecca Ferguson, decompression chambers & gel manicures, Benji Impossible , no closure, loving these movies, and more. Relevant reading: Mission: Impossible — The Final Reckoning Is a Huge Mess. But It’s a Fun Mess. - Bilge Ebiri, New York Magazine How YouTube and Internet Journalism Destroyed Tom Cruise, Our Last Real Movie Star - Amy Nicholson, LA Weekly Where Does Tom Cruise Go From Here? - Bilge Ebiri, Vulture The Entity: On the Technologies of Late Cruisedom - Jadie Stillwell, Bright Wall/Dark Room -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman , and produced by Eli Sands . Our theme music is composed by Chad (and remixed for this episode by Eli). You can find every single issue of Bright Wall/Dark Room at brightwalldarkroom.com . We welcome comments and inquiries at podcast@brightwalldarkroom.com . -- This episode is sponsored by Galerie , a new kind of film club. Listeners can sign up for one month of free access to curated film lists, essays, live discussions, and more at galerie.com , code: BWDR This message will self-destruct in—…
On this month’s bite-sized episode we're zooming in on a snappy/passionate moment from Ernst Lubitsch’s effervescent 1932 screwball comedy, Trouble in Paradise . We get into: sex & pre-code cinema, eye-widening lines, wikipedia marriage math, Betty and Veronica vibes, the Lubitsch Touch, what does classy even mean?, how a perfect escapist film from 1932 works just as well in 2025, and more. -- Hosts: Veronica Fitzpatrick & Chad Perman Producer: Eli Sands Music: Chad Perman -- Read the current issue of Bright Wall/Dark Room: Community (Issue #140) -- This episode is sponsored by Galerie , a new kind of film club where you can chat directly with filmmakers, watch groundbreaking movies, and discover stories that bring you closer than ever to the craft and culture of cinema. To enjoy one month of Galerie for free, and then receive 50% off the next three months, visit Galerie.com and enter the code “BWDR” when you sign up.…

1 Speed (with Travis Woods) 1:12:13
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Pop quiz, hotshot: join us as we welcome back BWDR veteran and De Palma completist Travis Woods for a special conversation on one of our all-time favorites, Jan de Bont’s Speed (1994). We get into: repetition compulsion and classical Hollywood storytelling, Keanu’s peak hotness, Speed ’s existential lessons, does Jeff Daniels close his eyes?, Mark Mancina’s love theme, what it means to “become bomb,” and more. Further reading/viewing: Veronica’s BWDR essay on Speed , the comprehensive 50 MPH podcast on the making of Speed , and Keanu Reeves’s vision of a perfect day . Find Travis at BWDR, and here’s another recent piece of his on David Lynch's Wild at Heart over at Southwest Review . -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman , and produced by Eli Sands . Our theme music is composed by Chad. Find every issue of Bright Wall/Dark Room at brightwalldarkroom.com . We welcome comments and inquiries at podcast@brightwalldarkroom.com . -- This episode is sponsored by Galerie , a new kind of film club. Listeners can sign up for one month of free access to curated film lists, essays, live discussions, and more at galerie.com , code: BWDR.…
This month’s micro-episode takes us inside the mysterious, sensual brilliance of Michelangelo Antonioni's The Passenger , a curated pick from director Ezra Edelman : "The idea of wanting to live with purpose, even if it’s someone else’s purpose—there’s just something so human about it." We get into: the comfort of slow cinema that doesn't feel slow, the aesthetics of existential malaise, the virility of 70s'-era Nicholson, the intensity of traveling relationships, and more. -- Bonus Feature: We'll be hosting a special live discussion on The Passenger over at Galerie on May 20th at 3pm EST/12pm PST . We'd love to have you join the conversation! -- Hosts: Veronica Fitzpatrick & Chad Perman Producer: Eli Sands Editor: Buczar Music: Chad Perman -- This episode is sponsored by Galerie , a new kind of film club where you can chat directly with filmmakers, watch groundbreaking movies, and discover stories that bring you closer than ever to the craft and culture of cinema. To enjoy one month of Galerie for free, and then receive 50% off the next three months, visit Galerie.com and enter the code “BWDR” when you sign up.…

1 Bram Stoker's Dracula (with Angelica Jade Bastién) 1:07:22
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This month we sit down with Vulture critic Angelica Jade Bastién , author of the newsletter Madwomen & Muses , where she recently started writing about “Movies That Fuck.” In honor of “cinematic sensuality,” we chat about Bram Stoker’s Dracula (1992) , Francis Ford Coppola’s ode to ahistorical melodrama and doomed romance. We get into: Roman Coppola’s practical effects, Keanu’s accent work, crossing oceans of time to find you, Michael Ballhaus (and whether this is the dark b-side of The Age of Innocence ), Eiko Ishioka with the muscle armor and tiny glasses, do young people want to be turned on by the movies (or at all), and more. -- Further reading/viewing: The Costumes are the Sets (a 15-minute doc on the film’s Oscar-winning costumes), and James Hart on the transformation of Dracula ’s script . -- The Bright Wall/Dark Room Podcast is hosted by Veronica Fitzpatrick & Chad Perman , produced by Eli Sands , and edited by Buczar . Our theme music is composed by Chad. -- This episode is sponsored by Galerie , a new kind of film club where you can chat directly with filmmakers, watch groundbreaking movies, and discover stories that bring you closer than ever to the craft and culture of cinema. To enjoy one month of Galerie for free—and then receive 50% off the next three months—visit Galerie.com and enter the code “BWDR” when you sign up.…
This month's bite-sized episode zooms in on the spectral perspective of Thomas Vinterburg's debut film, The Celebration (1998), one of Palestinian director/writer/producer Annemarie Jacir's curated picks. We get into: Dogme 95 , family gatherings as horror movies, the generative energy of stylistic constraints, dynamic chaos, ghostly POVs, and finding something in a film that's a little bit in excess of what the film seems to think it's doing. -- The Bright Wall/Dark Room Podcast is hosted by Veronica Fitzpatrick & Chad Perman , produced by Eli Sands , and edited by Buczar . Our theme music is composed by Chad. -- This episode is sponsored by Galerie , a new kind of film club where you can chat directly with filmmakers, watch groundbreaking movies, and discover stories that bring you closer than ever to the craft and culture of cinema. To enjoy one month of Galerie for free, and then receive 50% off the next three months, visit Galerie.com and enter the code “BWDR” when you sign up.…

1 Rewind: A.I. Artificial Intelligence (with Michael Koresky) 1:07:33
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In honor of guest Michael Koresky's new book announcement, we're revisiting this conversation with him from last summer about Steven Spielberg's A.I. Michael's new book, Sick and Dirty: Hollywood's Gay Golden Age and the Making of Modern Queerness , will be out from Bloomsbury in June. --- Reverse Shot co-founder and editor, and Editorial Director at Museum of the Moving Image Michael Koresky joins us to proselytize Steven Spielberg’s A.I. Artificial Intelligence (2001). Michael takes us back to being an intern in 2001, watching A.I. six times in theaters, how both Spielberg and Stanley Kubrick do “sentimentality with a point,” Jude Law’s dialogue, parables of loss, and how this “unexpected sledgehammer” of 00s’ filmmaking sticks with him today. -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. You can find all 135+ issues of Bright Wall/Dark Room online at brightwalldarkroom.com . We're on Bluesky at @bwdr and @bwdrpod , and welcome feedback and inquiries at podcast@brightwalldarkroom.com . -- This episode is sponsored by Galerie , a new kind of film club. BW/DR listeners can now enjoy 3 months of free access to Galerie by signing up here .…

1 A Different Man (with Frank Falisi) 59:47
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We’re back with an episode analyzing writer-director Aaron Schimburg’s Kafkaesque body swap, A Different Man . Joining us is critic, actor, and BWDR darling Frank Falisi , co-founder of Garden State Lantern . We get into Adam Pearson’s Oscar snub and Sebastian Stan’s win, The Substance for boys, shooting in NYC, if you want to dance the mask, the humanism of karaoke, doing your life wrong, self-image as self-esteem, and what it means to never change a bit. Further reading: Le Cinema Club ’s interview with Aaron Schimburg, RogerEbert.com ’s interview with Schimburg, Adam Pearson, and Sebastian Stan, and Screen Slate Podcast’s episode with Schimburg (and a few cameos from the film). The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman, produced by Eli Sands, and edited by Buczar. Our theme music is composed by Chad. This episode is sponsored by Galerie: a new kind of film club. Listeners can sign up for access to essays, curated film lists, live screenings, and more at join.galerie.com . Find every issue of Bright Wall/Dark Room at brightwalldarkroom.com . Holy trinity: please give us a follow, rate the pod, give a review. We welcome feedback and inquiries at podcast@brightwalldarkroom.com . Happy new year.…
Our first mini-episode of 2025 looks to one of director Andrew Haigh’s curated picks: Billy Wilder’s subversive farce Some Like It Hot . We get into the unlikely modernity of Hot ’s sexual politics, Orry-Kelly’s naked dresses, Wilder’s collaboration with I. A. L. Diamond, is this the greatest comedy of all time, and more. -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman , produced by Eli Sands , and edited by Buczar . Our theme music is composed by Chad. -- This episode is sponsored by Galerie, a new kind of film club. BW/DR listeners can now sign up for three months of free access to Galerie's streaming library, curated film lists, essays, live screenings and more at join.galerie.com .…

1 Gladiator (with Blake Howard) 1:06:03
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Be thankful we did your Gladiator II homework, rewatching Ridley Scott’s Gladiator 1 (2000) with amateur Russell Crowe historian Blake Howard . This is a Gladiator II- spoiler-free conversation: listen as we get into Crowe kissing disembodied feet, Scott’s world-building, the technology of acting, Oliver Reed’s digitized face (RIP), is anything better than practical effects, expressionism vs. historical accuracy, and more. Gladiator : a good movie. Further reading: here’s Gladiator cinematographer John Mathieson on returning to the sequel after 24 years. The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman , produced by Eli Sands , and edited by Buczar. Our theme music is composed by Chad. This episode is sponsored by Galerie : a new kind of film club. BW/DR listeners can sign up for 3 months of free access to essays, curated film lists, live screenings, and more at join.galerie.com . You can find every issue of Bright Wall/Dark Room here . Holy trinity: please give us a follow, rate the pod, give a review. We’re on Bluesky at @BWDR and @BWDRPod , and welcome feedback & inquiries at podcast@brightwalldarkroom.com.…
This month’s mini-episode takes us into the rich opening sequence of a pick curated by director Andrew Haigh: Nicolas Roeg’s Venetian nightmare, Don’t Look Now . We get into Graeme Clifford’s expressionist editing, celebrating movies for grownups, the color red, non-chronology, grief, and what lies “beyond the fragile geometry of space.” -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman , produced by Eli Sands , and edited by Buczar . Our theme music is composed by Chad. This episode is sponsored by Galerie , a new kind of film club. BW/DR listeners can sign up for 3 months of free access to Galerie's curated film lists, essays, live screenings & more at join.galerie.com .…

1 Rewind: The Muppet Christmas Carol (1992) 40:41
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This holiday season, we're revisiting last year's holiday special: an audio essay of one of the most popular articles we've every published on the site: Ethan Warren's A Grand Yuletide Theory: The Muppet Christmas Carol is the Best Adaptation of A Christmas Carol . Written and read by Ethan himself, with holiday music from Ryan Pollie . (Originally aired December 17, 2023) -- We'll be back later this month with two brand new pods, but in the meantime: Happy Holidays from Bright Wall/Dark Room ! -- This episode is sponsored by Galerie , a new kind of film club. BW/DR listeners can sign up for three months of free access to Galerie by using this special link .…
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1 The 62nd New York Film Festival (with Fran Hoepfner & Eli Sands) 1:09:07
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On this special mega episode, co-host Veronica sits down with critic Fran Hoepfner and our producer Eli Sands to postmortem the 62nd New York Film Festival. This is a mainly spoiler-free conversation! We get into: Hard Truths , Caught by the Tides , Nickel Boys , April , Harvest , The Brutalist , The Seed of the Sacred Fig, The Shrouds , Queer , Maria , Stranger Eyes , Eephus , I’m Still Here , Anora , The Room Next Door , one stray line about Misericordia, plus: wife guy directors, the surveillance motif, doing Mike Leigh homework, critic versus public screenings, do we need subtitles to understand Scottish accents, stop describing Brutalist as monumental, are movies too long, Almodóvar’s secret to killing it at Q&A, what lipstick is Mikey wearing in Anora , and more. Further reading and listening: Fran’s NYFF report for Bright Wall/Dark Room and her incredible piece on Dick Pope , and more of Eli on the festival at Deep Cut . Find Fran online at Fran Mag , Twitter , and Letterboxd . -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman , produced by Eli Sands , and edited by Buczar . Our theme music is composed by Chad. Please: follow, rate, review! Find all 135 issues of Bright Wall/Dark Room at brightwalldarkroom.com (and be sure to check out our upcoming November issue, Neo-Noir 2024). We’re on Twitter ( @BWDR and @TheBWDRPodcast ), Bluesky , and Letterboxd , and welcome feedback and ad/sponsorship inquiries at podcast@brightwalldarkroom.com . -- This episode is sponsored by Galerie : a new kind of film club. Listeners can currently sign up for three months of full access to essays, curated film lists, live screenings and much more at join.galerie.com .…
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This month’s mini-episode takes us into one of costume designer Sophie de Rakoff’s curated picks: Irvin Kershner’s The Eyes of Laura Mars (1978), an American giallo with style to spare. We get into Faye Dunaway’s scream, POV in horror, how this is Helmut Newton x John Carpenter, the ethics of glamorizing suffering, and, yes, the clothes. -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman , produced by Eli Sands , and edited by Buczar . Our theme music is composed by Chad. This episode is sponsored by Galerie , a new kind of film club. BW/DR listeners can sign up for three full months of free access to curated film lists, essays, live screenings and more here .…
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This whole episode is a trap. In it, we join Josh Hartnett scholar and The Film Stage gentleman Dan Mecca to dissect the ins and outs of M. Night Shyamalan’s Trap. We talk about: baby bangs, Hartnett always being a little bit weird, the tooth gap, Sleeping with the Enemy ’s hand towels, auteur theory, one good part in The Village , Hayley Mills on the walkie-talkie, and more. Further reading: Dan’s interview with Hartnett for Film Stage , Nicholas Russell’s M. Night Shyamalan essay for BWDR , and you can even run it back to Dan’s first-ever The B-Side episode on Hartnett himself. --- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman , produced by Eli Sands , and edited by Buczar . Our theme music is composed by Chad. You can find all 134 issues of Bright Wall/Dark Room , including our most recent issue on Spike Lee , at brightwalldarkroom.com . Please help us find more ears: follow, rate, comment, leave us a review! This episode is sponsored by Galerie : a new kind of film club. Listeners can sign up for 3 full months of free access to curated film lists & streaming films, essays, live screenings and much more at join.galerie.com .…
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Inspired by the curation of costume designer Sophie de Rakoff, this month we're taking a loving look at the gear-shifting, hybrid charms of Jonathan Demme's screwball noir, Something Wild —and the Ray Liotta entrance that changes everything. -- This episode is sponsored by Galerie , a new kind of film club. BW/DR listeners can now sign up for 3 months of free access here .…
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1 Twister/Twisters (with David Sims) 56:06
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Joining us this month: Blank Check co-host & staff writer at The Atlantic, David Sims ! In summer’s last gasp, we go back to a flashpoint of summer blockbuster season: Jan de Bont’s 1996 Twister , plus its legacy in Twisters (Lee Isaac Chung, 2024), epic ensemble casting, craving movies about grown-ups, Hollywood’s dangerous brunettes, why not kissing at the airport matters, whether anyone votes in the world of Twisters , cinema sequences and storm spectatorship, Daisy Edgar Jones’s accent work, and the Spielberg touch. Stuff we reference: Jan de Bont in conversation with Tim Grierson, and Lee Isaac Chung on the Twisters ending . The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. --- This episode is sponsored by Galerie , a new kind of film club featuring curated films, original articles and interviews, and interactive live events. BW/DR listeners can now sign up for three full months of free access to Galerie through this special link .…
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Chad goes full dad in this mini-episode on Richard Linklater’s 2014 coming-of-age epic Boyhood. Specifically, the plural meanings of Patricia Arquette’s anguished move-out speech, and why raising children to lead their own lives is a bittersweet success. The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. --- This episode is sponsored by Galerie , where you can join Veronica & Chad for a watch party this Sunday, August 18 at 3pm ET/12pm PT . We'll be hosting a viewing of Olivier Assayas' Clouds of Sils Maria , with live commentary and conversation, and would love to have you stop by and say hello! (BW/DR listeners can currently sign up for three months of free access to Galerie here .)…
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1 The Heartbreak Kid (with Carrie Courogen) 58:16
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Welcome back to the pod Carrie Courogen , author of Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius out now from St. Martin’s Press. Carrie joins us to discuss Elaine May’s The Heartbreak Kid (1972), her honeymoon horror film co-starring May’s daughter Jeannie Berlin and Charles Grodin as doomed newlyweds and Cybill Shepherd as the coed for whom Grodin’s Lenny quite literally risks it all. Further reading: here’s Chad’s interview with Carrie in the June 2024 issue. BW/DR did its own Elaine May issue back in September 2019, where you can find the genesis of Carrie’s May scholarship along with Ethan Warren on The Heartbreak Kid , and Veronica on May’s first feature, A New Leaf . The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. Find every issue of Bright Wall/Dark Room at brightwalldarkroom.com . Podcast-wise, we appreciate your ratings and reviews. We’re on Twitter @BWDR and @TheBWDRPodcast , and welcome feedback and inquiries at podcast@brightwalldarkroom.com . This episode is sponsored by Galerie , a new kind of film club featuring curated films, original content, and live events. BW/DR listeners can now sign up for three months of free access at https://join.galerie.com .…
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1 Under the Sun of Satan (1987) 17:25
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Follow us into one of Rachel Kushner ’s picks: Maurice Pialat’s slow ode to the sacred and profane, Under the Sun of Satan (1987). Co-starring Gérard Depardieu and Pialat’s muse Sandrine Bonnaire alongside Pialat himself, Under the Sun is a pastoral parable with a lot of dialogue and a few good screams. The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. This episode is sponsored by Galerie , a new kind of film club.…
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1 Rewind: Aftersun (with Adam Nayman) 1:03:55
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As summer begins in earnest, we're looking back at a 2022 highlight—Charlotte Wells’s staggering debut feature Aftersun —and revisiting one of our most popular episodes ever: a conversation with film critic, author, and educator Adam Nayman . Adam shares special insights from his conversation with Wells about the film, plus the case for cinematic mystery, Paul Mescal crying, analog devices and the technology of memory, good karaoke scenes, fatherhood feelings, and why 2022 stinker The Whale stumbles precisely where Aftersun soars. For more on Aftersun , check out producer Barry Jenkins’s conversation with director Wells for the Directors UK podcast, Filmmaker ’s profile , and Wells’s own letter to audiences for A24. The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. You can find all 130+ issues of Bright Wall/Dark Room , including our most recent, Breaking Point , at brightwalldarkroom.com . Please subscribe, rate, and flatter us with a review, it truly helps the show! This episode is sponsored by Galerie , a new kind of film club. Bright Wall/Dark Room listeners can sign up using this special link to get two months of free access to Galerie's essays, live conversations, and streaming catalogue! This episode originally aired in January 2023.…
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It’s showtime–in this episode, Chad takes us through the opening of one of Ethan Hawke’s curator picks: Bob Fosse’s autobiographical kaleidoscope, All That Jazz (1979). Here’s the Motion Pictures Editors Guild on what makes All That Jazz the fourth-best edited film in history, and Hawke himself on “personal filmmaking at its finest.” The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. This episode is sponsored by Galerie, a new kind of film club. BW/DR listeners can sign up for two months of free access via this link .…
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1 A.I. Artificial Intelligence (with Michael Koresky) 1:07:33
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Back from vacation with our summer blockbuster episode: author, Reverse Shot co-founder and editor, and Editorial Director at Museum of the Moving Image Michael Koresky joins us to proselytize Steven Spielberg’s A.I. Artificial Intelligence (2001). Michael takes us back to being an intern in 2001, watching A.I. six times in theaters, how both Spielberg and Stanley Kubrick do “sentimentality with a point,” Jude Law’s dialogue, parables of loss, and how this “unexpected sledgehammer” of 00s’ filmmaking sticks with him today. For more, read story writer Ian Watson’s account of working with Kubrick and Michael’s Reverse Shot co-founder Jeff Reichert on “the desperation underlying much of human love.” The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. You can find all 130+ issues of Bright Wall/Dark Room online at brightwalldarkroom.com . We remain on Twitter @BWDR and @TheBWDRPodcast , and welcome feedback and inquiries at podcast@brightwalldarkroom.com . This episode is sponsored by Galerie, a new kind of film club. BW/DR listeners can enjoy two months of free access by signing up here .…
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The Bright Wall/Dark Room Podcast

Riffing on Kim Gordon’s curation , we get into Lynne Ramsay’s atmospheric Morvern Callar (2002), a mixtape of a film whose cursed vacation vibes echo something of Barbara Loden’s Wanda and foreshadow Charlotte Wells’ Aftersun . Shout outs to Georgia Humphreys’ terrific essay “Another Girl, Another Planet” and The Mamas and the Papas’ unlikely club banger, “Dedicated to the One I Love.” The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. This episode is sponsored by Galerie , a new kind of film club. BW/DR listeners can sign up for two months of free access via this link .…
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1 Rewind: The Conversation (1974) 1:15:58
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In honor of the 50th anniversary of its release this month , we're revisiting our conversation on Francis Ford Coppola's The Conversation (1974), looking at the film through the lenses of surveillance and seclusion, Gene Hackman and Walter Murch, Catholic guilt and cool jazz. From its bird’s eye opening to the obliterative final shots, we get into the nuts and bolts of Coppola’s “personal” post- Godfather film and what it means to watch, fixate, deduce, mishear, and, despite everything, to long to be seen. (Originally released July 25, 2022) -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. -- We'll be back with two new episodes next month - talk soon! -- This episode is sponsored by Galerie , a new kind of film club. Listeners can sign up for two months of free access at https://join.galerie.com/bwdr .…
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1 Dune: Part Two (with Sarah Welch-Larson) 51:32
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Joining our spicy all-in-the-family March episode are substitute co-host Fran Hoepfner and BW/DR staff writer Sarah Welch-Larson . Listen as long-time Dune -thusiast Sarah absolutely schools us on Denis Villeneuve’s Dune: Part Two (2024). We get into the finer points of adapting Frank Herbert, how all the Bene Gesserit are sexy, space gravity, Rebecca Ferguson’s jaw, the secularization of Chani, are thumpers biodegradable, and more. Special shout-outs to Sarah’s prescient piece on Dune (2021) and Max Read’s encyclopedic annotation of Part Two. The Bright Wall/Dark Room Podcast is (usually) co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. You can find every issue of Bright Wall/Dark Room at brightwalldarkroom.com , including our current issue on one of the single best years in film history, 1999 . Podcast-wise, we really appreciate your ratings and reviews. We’re on Twitter @BWDR and @TheBWDRPodcast , and welcome any feedback, questions, or sponsorship inquiries at podcast@brightwalldarkroom.com . This episode is sponsored by Galerie , a new kind of film club, currently featuring Kim Gordon as curator; BW/DR listeners can sign up for two months of free access at https://join.galerie.com/bwdr .…
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The Bright Wall/Dark Room Podcast

On this month's micro episode, we get into Elliott Smith soundtracking a savory first kiss in Gus Van Sant’s Good Will Hunting (1997), a film that changed one of our co-host's lives forever. -- The BW/DR Podcast: Frame 25 is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . -- The BW/DR Podcast: Frame 25 is sponsored by our friends at Galerie . To find out more about Galerie—a new kind of film club—sign up for two free months at join.galerie.com/bwdr .…
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1 Mississippi Masala (with Mitchell Beaupre) 50:51
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It’s still February in our souls. This month, we’re joined by writer and Letterboxd Senior Editor Mitchell Beaupre to revisit Mira Nair’s recently 4k-restored romance, Mississippi Masala (1991), starring Denzel Washington and Sarita Choudhury. We get into the film’s ever-timely exploration of diasporic longing, when talking on the phone looks like phone sex, first-gen trauma, a particularly memorable prelude to a kiss, romanticizing physical media, and the finer points of Mitchell’s insightful April 2022 interview with Nair (over at The Film Stage ). The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. This episode is sponsored by Galerie, a new kind of film club. Listeners can sign up for two months of free access at https://join.galerie.com/bwdr . You can find all 128 issues of Bright Wall/Dark Room— including our double issue on the films of 1999 that starts this week!—over at brightwalldarkroom.com . Podcast-wise, we really appreciate your ratings and reviews. We’re on Twitter @BWDR and @TheBWDRPodcast , have a Patreon if you'd like to support the show, and always welcome feedback or inquiries at podcast@brightwalldarkroom.com .…
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The Bright Wall/Dark Room Podcast

The BW/DR Podcast: Frame 25 is a series in conversation with, and sponsored by, our friends at Galerie . Every month, we pick a title from Galerie’s curated library and zoom in on a single moment to better see the whole. This month we're chatting about expressive sound and slow motion in John Singleton’s Boyz N the Hood (1991), a pick by curator Reinaldo Marcus Green. To see the rest of Green’s hit picks, sign up at https://join.galerie.com/bwdr . * This episode is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . * Further reading/Articles Referenced: They've Gotta Have Us - Karen Grigsby Bates ( New York Times Magazine , July 14, 1991) How Boyz n the Hood Beat the Odds to Get Made—and Why It Matters Today - Sam Kashner ( Vanity Fair , August 4, 2016) * To read our current issue, or browse our 125+ issue archive, visit us at Bright Wall/Dark Room…
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1 Maestro (with Nicholas Russell) 1:11:04
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This month we’re joined by writer, critic, and editor Nicholas Russell to chat about Bradley Cooper’s Maestro (2023). We get into: what makes a Bradley Cooper Film (thanks Fran ), when weird voices work, that epigraph, tension as structure and provocation, what’s going on with the ending, getting moved by Mahler, and more. -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman , and produced & edited by Eli Sands . Our theme music is composed by Chad. You can find every single issue of Bright Wall/Dark Room , including our January issue on The Best of 2023 , at brightwalldarkroom.com . We really, really appreciate your ratings & reviews. We’re on Twitter @BWDR and @TheBWDRPodcast , and welcome feedback and inquiries at podcast@brightwalldarkroom.com . And, to the best of our knowledge, we have never once abandoned Snoopy in the vestibule. -- This episode is sponsored by Galerie , a new kind of film club. This month's featured curator is writer/director James Gray . BW/DR readers & listeners can sign up for two free months of access here .…
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The Bright Wall/Dark Room Podcast

This month, we're looking at James Gray's Two Lovers , exploring its intimacy, specificity, complexity—and a fantastic Joaquin Phoenix dance scene . --- The BW/DR Podcast: Frame 25 is a series of bite-sized episodes in conversation with, and sponsored by, our friends at Galerie . Each month, we pick a title from Galerie’s curated library and zoom in on a single moment to better see the whole. BW/DR readers & listeners can use this special link to get two months of free access to Galerie, a new kind of film club! --- This episode is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands .…
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1 Edge of Tomorrow (with Blake Howard) 54:02
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Merry Cruisemas, from our home to yours! For our 3rd annual celebration, we sit down with bosom buddy, film critic, and podcast extraordinaire Blake Howard to discuss Doug Liman’s 2014 film, Edge of Tomorrow . We get into: time loops, Emily Blunt's triceps, Cruise's determined pathos, Liman's blockbuster craftmanship, McQuarrie's calibrations, repetition and rewatchability, three-beers-in movies, and more. -- Cruisemas 2022: Vanilla Sky Cruisemas 2021: Eyes Wide Shut Blake's podcast empire: One Heat Minute Productions -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. To read the current issue of Bright Wall/Dark Room, or browse our 125+ issue archive, visit us at brightwalldarkroom.com . We’re also on Twitter @BWDR & @TheBWDRPodcast , and always welcome feedback and advertising inquiries at podcast@brightwalldarkroom.com . Happy Holidays, and thank you, truly, for giving us an hour or so of your time each month. We appreciate it more than you'll ever know. See ya next year! -- This episode is sponsored by Galerie , a new kind of film club. BW/DR listeners can sign up using this special link to get two free months of access to the site!…
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1 BW/DR Presents: The Muppet Christmas Carol (1992) 40:41
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This holiday season, a very special holiday podcast treat: an audio version of one of our most popular essays of all time, Ethan Warren's A Grand Yuletide Theory: The Muppet Christmas Carol is the Best Adaptation of A Christmas Carol . Written and read by Ethan himself, with music by Ryan Pollie and art by Brianna Ashby . Happy Holidays from Bright Wall/Dark Room ! -- This episode is sponsored by Galerie , a new kind of film club. BW/DR listeners can sign up using this link to get two free months of access to the site!…
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1 The 61st New York Film Festival 1:05:02
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On this special episode, co-host Veronica sits down with critic Fran Hoepfner to talk high/lowlights of the 61st New York Film Festival . We get into: looking in vain for the element of surprise ( All of Us Strangers ), Bradley Cooper as crazy guy ( Maestro ), the Sunday-night-on-HBO vibes of Anatomy of a Fall , Elordi charisma ( Priscilla ), the biggest laughs in Last Summer , Janet Planet ’s perfect execution of kid perspective, why Wiseman’s Menu-Plaisirs Les Troisgros is not The Bear , what to watch (or listen?) for in La Chimera , funny voices in May December and Ferrari , why we keep thinking about detesting The Zone of Interest , plus Fran’s annual award for ‘altercation as a quiet film begins.’ * Find Fran online at Fran Mag , Twitter , and Letterboxd , and read her omnibus dispatch from the festival here . The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and (usually) Chad Perman , and produced and edited by Eli Sands . Our theme music is composed by Chad. * This episode is sponsored by Galerie , a new kind of film club. BW/DR listeners can sign up with this special link to get two free months of access!…
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This is The BW/DR Podcast: Frame 25, a series of bite-sized episodes in conversation with, and sponsored by, our friends at Galerie . Each month, we pick a title from Galerie’s curated library and zoom in on a single moment to better see the whole. Privacy, intimacy, and conspiracy are all at play in this month’s moment from George Stevens’ 1951 tragedy, A Place in the Sun . --- The BW/DR Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . --- This series is sponsored by Galerie , a new kind of film club. BW/DR readers & listeners can use this special link to get two months of free access!…
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1 Once Upon a Time in the West (with Cory Everett) 51:12
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This month, author and Cinephile: A Card Game creator Cory Everett joins us to talk about Sergio Leone’s Once Upon a Time in the West (1968). We get into the elasticity of the western, what constitutes pure cinéma, Claudia Cardinale thirst, Big Screen Movies and the garages that screen them, Leone the minimalist and maximalist, and more. -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. You can find all 125 monthly issues of Bright Wall/Dark Room , including this month’s brand new issue on Westerns , at brightwalldarkroom.com . We really, really appreciate your ratings and reviews. We’re on Twitter @BWDR & @TheBWDRPodcast , and always welcome feedback and advertising inquiries at podcast@brightwalldarkroom.com . Yeehaw. -- This episode is sponsored by Galerie, a new kind of film club. Listeners may sign up for access at https://join.galerie.com/bwdr and use code JOINGALERIE for 1 month free.…
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1 The Night of the Hunter (1955) 14:46
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The BW/DR Podcast: Frame 25 is a series in conversation with, and sponsored by, our friends at Galerie . Every month, we pick a title from Galerie’s curated library and zoom in on a single moment to better see the whole. This month we chat about a musical moment in Charles Laughton’s spellbinding Appalachian noir The Night of the Hunter , a pick by curator Duke Johnson . And we’ll be hosting a live discussion on the film on Saturday, October 28, at 2:00 pm ET/11:00 am PT . To join the conversation, sign up at https://join.galerie.com/bwdr . The BW/DR Podcast: Frame 25 is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands .…
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It’s nearly spooky season and we’re waxing nostalgic for The Craft (Andrew Fleming, 1996) with Los Angeles film critic and podcaster extraordinaire Katie Walsh . We get into crushing on Robin Tunney, the 90s, the death of subculture, slow-motion hallway walks, where are their parents—and stay tuned for Katie’s on-air pull from the Rachel True tarot deck . -- The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad. -- This episode is sponsored by Galerie, a new kind of film club. Listeners may sign up for access at https://join.galerie.com/bwdr and use code JOINGALERIE for 1 month free. -- Find all 120+ issues of Bright Wall/Dark Room , including this month’s issue on Nostalgia , at brightwalldarkroom.com . We really, really appreciate your ratings and reviews. We’re on Twitter @BWDR & @TheBWDRPodcast , and always welcome feedback and inquiries at podcast@brightwalldarkroom.com –blessed be. This episode of The Bright Wall/Dark Room Podcast was recorded during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the film discussed in this episode wouldn't exist.…
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The Bright Wall/Dark Room Podcast

This is The BW/DR Podcast: Frame 25, a series of bite-sized episodes in conversation with, and sponsored by, our friends at Galerie . Each month, we pick a title from Galerie’s curated library and zoom in on a single moment to better see the whole. This month we bid goodbye to summer with Robert Altman’s hallucinatory 3 Women (1977), a Palm Springs take on Persona . For info on upcoming live movie discussions hosted by Galerie, and to read Emma Cline’s languid essay on 3 Women , sign up at https://join.galerie.com/bwdr . The BW/DR Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . (Artwork for this episode by Tom Ralston ) --- This series is sponsored by Galerie, a new kind of film club. BW/DR listeners can sign up now for early access at https://join.galerie.com/bwdr .…
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The Bright Wall/Dark Room Podcast

This is The BW/DR Podcast: Frame 25, a series in conversation with, and sponsored by, our friends at Galerie . Each month, we pick a title from Galerie’s curated library and zoom in on a single moment to better see the whole. This month, in concert with Mike Mills' curated list , Chad and Veronica look at The Cameraman (1928), reflecting on the impossible beauty and precision of Buster Keaton, bodies in motion, and the pantomime scene at Yankees Stadium that makes Chad smile from ear to ear every single time he sees it. -- Dive deeper: The Cameraman: Man with a Movie Camera , Imogen Sara Smith Comedy’s Greatest Era , James Agee (1949, LIFE magazine article on Keaton, Chaplin, Lloyd) Karina Longworth on Buster Keaton's move to MGM The Art of the Gag (Every Frame a Painting video essay) -- The BW/DR Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . This series is sponsored by Galerie, a new kind of film club. BW/DR listeners can sign up now for early access at https://join.galerie.com/bwdr .…
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1 Missions: Impossible (with Bilge Ebiri) 58:01
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Your mission, if you choose to accept it: in concert with this month's “Heists” issue, we’re talking across Mission: Impossible – Dead Reckoning Part One (2023), Mission: Impossible – Fallout (2018), and Mission: Impossible (1996) with brilliant Vulture and New York Magazine critic—and platinum-tier BWDR supporter!— Bilge Ebiri . We get into the [redacted] of Ilsa Faust, when plot makes no sense, Tom Cruise playing himself, lyricism in action films, Fallout = sex , what the M:I franchise is saying about digital vs. analog, watching A Few Good Men once a week, and plenty more. The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . Our theme music is composed by Chad (and remixed for this episode by Eli). This episode was recorded during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the films discussed in this episode wouldn't exist. To learn more, visit the WGA strike hub and read about the SAG-AFTRA strike here . -- This episode is sponsored by Galerie , a new kind of film club. BW/DR listeners can sign up for early access at https://join.galerie.com/bwdr . -- Live event update: Join us for our first live, interactive discussion on Galerie on Friday, August 25th, at 1pm PST / 4pm EST! Chad and Veronica will be discussing Daisies , a film from Mike Mills’ curated Galerie film list. We'd love to have you join the conversation! (Sign up for free early access to Galerie, via this link) -- You can read all 122 issues of Bright Wall/Dark Room , including this month’s impossible missions, at brightwalldarkroom.com . We really, really appreciate ratings and reviews. We’re on Twitter @BWDR and @TheBWDRPodcast , and we welcome feedback and inquiries at podcast@brightwalldarkroom.com . This message will self-destruct in—…
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The Bright Wall/Dark Room Podcast

This is The BW/DR Podcast: Frame 25, a new series in conversation with, and sponsored by, our friends at Galerie. Every month, we’ll pick a title from Galerie’s curated library and zoom in on a single moment to better see the whole. This month: in concert with Karyn Kusama’s library, we chat about how Todd Haynes’s Safe (1995) transposes the female ennui of Antonioni’s Red Desert to the sherbet interiors of Sherman Oaks, CA. For info on upcoming live movie discussions (with you, for you!) hosted by Galerie, sign up at https://join.galerie.com/bwdr . The BW/DR Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands . -- This episode was recorded during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, the film discussed in this episode wouldn't exist. To learn more, visit the WGA strike hub and read about the SAG-AFTRA strike here .…
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