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Story of Books, The by RAWLINGS, Gertrude Burford

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Série archivée ("Flux inactif" status)

When? This feed was archived on February 27, 2020 01:07 (4y ago). Last successful fetch was on August 24, 2019 01:15 (4+ y ago)

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Manage series 1120928
Contenu fourni par LibriVox. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par LibriVox ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Rawlings follows the development of printing from the origins of writing to modern printing. Some of the earliest records are ancient Egyptian, Greek and Roman recordings on papyrus and wax tablets. However, Rawlings acknowledges the sparse nature of this first fragile evidence, and limits speculation. Later, libraries of religious books grew in Europe, where monks copied individual books in monasteries. The "block printing" technique began with illustrations carved in wood blocks, while the text needed to be written by hand. Eventually, entire pages were printed as combinations of illustrations with text. The Biblia Pauperum, or “Bible of the Poor,” demonstrates this first time saving method. Later chapters focus on printing developing as an industry, especially after the invention of movable type. Two inventors are contested as the first inventor, Johann Gutenberg of Mentz in Germany, and Laurenz Coster of Haarlem in Holland. Rawlings describes the evidence for each side, along with stories and legends that grow around their names. Since many of the medieval books were meant to be admired as art by the illiterate majority and read only by an educated minority, copiers spent much time decorating manuscripts. Also, these highly decorated volumes needed to be protected. Here, Rawlings describes the techniques for binding and beautifying books. Arriving closer to the present day, Rawlings describes a few modern printing techniques that bring mass produced and cheap books to the now literate public. (Summary by LivelyHive)
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8 episodes

Artwork
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Série archivée ("Flux inactif" status)

When? This feed was archived on February 27, 2020 01:07 (4y ago). Last successful fetch was on August 24, 2019 01:15 (4+ y ago)

Why? Flux inactif status. Nos serveurs ont été incapables de récupérer un flux de podcast valide pour une période prolongée.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 1120928
Contenu fourni par LibriVox. Tout le contenu du podcast, y compris les épisodes, les graphiques et les descriptions de podcast, est téléchargé et fourni directement par LibriVox ou son partenaire de plateforme de podcast. Si vous pensez que quelqu'un utilise votre œuvre protégée sans votre autorisation, vous pouvez suivre le processus décrit ici https://fr.player.fm/legal.
Rawlings follows the development of printing from the origins of writing to modern printing. Some of the earliest records are ancient Egyptian, Greek and Roman recordings on papyrus and wax tablets. However, Rawlings acknowledges the sparse nature of this first fragile evidence, and limits speculation. Later, libraries of religious books grew in Europe, where monks copied individual books in monasteries. The "block printing" technique began with illustrations carved in wood blocks, while the text needed to be written by hand. Eventually, entire pages were printed as combinations of illustrations with text. The Biblia Pauperum, or “Bible of the Poor,” demonstrates this first time saving method. Later chapters focus on printing developing as an industry, especially after the invention of movable type. Two inventors are contested as the first inventor, Johann Gutenberg of Mentz in Germany, and Laurenz Coster of Haarlem in Holland. Rawlings describes the evidence for each side, along with stories and legends that grow around their names. Since many of the medieval books were meant to be admired as art by the illiterate majority and read only by an educated minority, copiers spent much time decorating manuscripts. Also, these highly decorated volumes needed to be protected. Here, Rawlings describes the techniques for binding and beautifying books. Arriving closer to the present day, Rawlings describes a few modern printing techniques that bring mass produced and cheap books to the now literate public. (Summary by LivelyHive)
  continue reading

8 episodes

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