Tokyo Sonata is a very campy and candid examination of how the conditions of this uncertain capitalist era negatively affect the work person. Beyond that, it's a film which showcases how the strict institutions and traditions of our societies (school, gender norms, familial based traditions, and capitalistic order) harm the well-being of those who …

With ultra-violence akin to Amazon's hit The Boys, Invincible dismisses the overdone cliches of the sub-genre and creates a much needed departure from the rituals and narrative beats of superhero stories we've been familiar with for generations. Would god-like people really "save us" from mass devastation? Would they always use their powers for goo…

Sounds of the Movement is an experimental portion of Filmagra that allows the spirit and knowledge of our local movements to transcend the space and time they are limited to. This entry bridges the passionate and revolutionary voices of local activists across different Free Palestine movements. This episode is also conscious of the people who are w…

Fred Hampton was a revolutionary Marxist-Lenist. Does Judas & The Black Messiah honor his memory and political ideology in a respectful and productive way? Of course not. In this episode I discuss and praise what Fred Hampton was really about, fighting for his local, national and Global black community. And not just Black people, but, as he says, “…

How does the term “Anti-Asian Racism” inhibit a more complete understanding of racism and white supremacy? This episode suggests that we cease intense advocacy and support for a group in question well after they have been hurt, or worse, killed. Activism should not and cannot persist in the forms of boom and bust cycles. It shouldn’t be a summer of…

Todd Phillips’ Joker was probably the most controversial film of 2019. Before I watched it, I thought this movie was about a deteriorating pro-second amendment, incel because that was the most popular reading of the film at the time of its release. I was shocked to learn that the most dominant form of violence in the film wasn’t gun violence, but m…